An interesting and somewhat obscure release, Pharos is the second collection of musical atmospheres by Cybertech (a.k.a. Michael Fillis and Adrian Pack). The two Cybertech CDs share a common thread: they try to evoke the atmosphere of past eras of Doctor Who music and, at the same time, pay tribute to what was the only source of new Who in the early 90s, Virgin Publishing’s Doctor Who: The New Adventures novels. In a way, Cybertech’s works are rather like the Doctor Who equivalent of the infamous Star Wars soundtrack-to-a-book release Shadows Of The Empire. Pack and Fillis composed original scores for specific scenes of some of the books (with the relevant passages quoted with permission in the CD’s lavishly illustrated booklet), while other adventures are given a score more evocative of a general mood, and some are accompanied by original, non-novel fiction. A few pieces unrelated to any specific book are dotted throughout the disc as well.
Lending the proceedings more of a stamp of Who authenticity are brief cameo appearances by Sylvester McCoy and the late Jon Pertwee, and their respective fellow time travelers Sophie Aldred and Caroline John. McCoy and Aldred’s appearances are “in character” as the Doctor and Ace, even though they each only speak a handful of lines of dialogue in their respective tracks. On the other hand, Jon Pertwee and Caroline John don’t seem to be playing the roles of the third Doctor and Liz Shaw, but instead act as narrators delivering the overall mood in the album’s opening and closing tracks. Mark Gatiss also makes a vocal appearance for the musical theme to his own novel, “Nightshade”.
And the music itself? Pack and Fillis toy around with the Doctor Who sounds of both the 70s and 80s, and nail some of the best approximations of those eras’ moods I’ve heard. Some of the non-story-specific pieces pick up the pace a little bit with more of a dance beat, but nothing terribly incongruous. It’s all very atmospheric, 
and right in line with where the music of Doctor Who left off when the series vacated the small screen.
So, overall, what do I think of Pharos? I think Big Finish Productions should really be talking to these guys about joining their rotating cast of composing characters. They’re that good.
- Precipice (1:45)
- The Pharos Project (3:12)
- Time’s Crucible (3:15)
- Prometheus Bound (6:45)
- Prometheus Unbound (2:50)
- First Frontier (3:45)
- Yeti (9:15)
- Iceberg (8:00)
- Nightshade TV Theme (4:20)
- Trevithick’s Monsters (5:55)
- Interstitial Time: A Static Vortex (1:20)
- Legacy (3:20)
- Type 40 (3:20)
- Master Mind (10:30)
- Cyberia (4:45)
- Wavelength (2:00)
Released by: Jump Cut Records
Release date: 1995
Total running time: 75:25