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10cc 1976 2020 Artists (by group or surname) Azimuth Barclay James Harvest Blue Mink Emotions Hamilton Jefferson Starship Joe Frank & Reynolds Liverpool Express Music Reviews Steve Miller Band Year

Bob Stanley presents ’76 In The Shade

4 min read

Order this CDWhat with the pandemic and all, the 2020s, as decades go, have been one hell of a long century. One of the things I’ve sought refuge in has been music. Soundtracks, of course, but also rolling back the clock and reacquainting myself with old favorites like Parliament (of which more later), and somehow, an Amazon search brought me to this compilation, curated by Bob Stanley of Saint Etienne. It’s not the only such compilation that’s been assembled by one or more members of Saint Etienne, but if they’re all as good as this one, that’s a collection I need to expand upon, because ’76 In The Shade is nothing short of amazing.

As the well-written liner notes point out, Stanley is trying to recreate what was being heard in England’s sweltering summer of 1976. But that doesn’t mean just what was on the radio. It means what random instrumentals were being played under the BBC’s pre-sign-on TV test cards in the morning. It means what pieces of production music were heard under other things, be they commercials or radio interstitials. And then, yes, there’s also what was on the radio, but even here, Stanley reaches deep into the playlists he remembers and rescues some true gems from undeserved obscurity, so while there are a few well-worn radio staples here – 10cc’s “I’m Mandy, Fly Me”, Jefferson Starship’s “Miracles”, Hamilton, Joe Frank & Reynolds’ “Fallin In’ Love” – there is much here that has either been forgotten, or just seemed new to my ears on this side of the Atlantic.

The most obvious quality of all of it, aside from being really good music, is that it’s so mellow. This compilation is so laid-back that the hardest-rocking thing to be found is a Cliff Richard song (!), but even that selection is so sweetened by its production that it fits alongside the rest of the album without seeming jarring.

Some of the real gems are the instrumental tracks, many of them from production music library LPs that would’ve been in circulation at radio and television stations at the time. On the non-instrumental side, there are gems like the Motown-style “You’re The Song (That I Can’t Stop singing)”, credited to Hollywood Freeway although it was basically the songwriter’s demo of his new song. It was later covered by Frankie Valli, though I find myself preferring what turns out to be the original version of the song with its lush instrumentation and falsetto vocals. Other tracks by Liverpool Express, Sylvia, and Blue Mink make it seem like their producers had only just discovered reverb and were determined to drench these entire songs in reverb. It’s not unpleasant, but boy, are the results sometimes a bit on the trippy side.

4 out of 4Some of the songs here I remember from my childhood, and the rest I’m delighted to make their acquaintance here. Various artist collections are sometimes a bit of a crap shoot, engaged in a tug-of-war between what the issuing label can afford to license from other labels, or for that matter what’s even available at the time the compilation is assembled. But ’76 In The Shade is remarkably well-curated, and since I discovered it in 2021, it has gotten a lot of repeat listening time over these past couple of sweltering 21st century summers. It’s a nicely selected, relaxing album that, even though it contains only a handful of songs I recognized from my childhood, managed to take me back to that time.

  1. Walking So Free – Spike Janson (3:33)
  2. Sugar Shuffle – Lynsey De Paul (4:00)
  3. Miracles (Single Version) – Jefferson Starship (3:29)
  4. Get Out Of Town – Smokey Robinson (4:49)
  5. I’m Mandy, Fly Me (Album Version) – 10cc (5:20)
  6. Stoned Out – Simon Park (2:17)
  7. Nothing To Remind Me – Cliff Richard (2:59)
  8. Discover Me – David Ruffin (4:12)
  9. You’re The Song (That I Can’t Stop Singing) – Hollywood Freeway (3:10)
  10. You Are My Love – Liverpool Express (3:15)
  11. Liquid Sunshine – John Cameron (3:00)
  12. Not On The Outside – Sylvia (3:03)
  13. Stay With Me – Blue Mink (3:17)
  14. Wild Mountain Honey – Steve Miller Band (4:50)
  15. Fallin’ In Love – Hamilton, Joe Frank & Reynolds (3:12)
  16. Flowers – The Emotions (4:28)
  17. Montreal City – Azimuth (3:18)
  18. Rock ‘n’ Roll Star – Barclay James Harvest (5:18)
  19. Miss My Love Today – Gilbert O’Sullivan (3:46)
  20. Music – Carmen McRae (3:29)

Released by: Ace Records
Release date: August 11, 2020
Total running time: 74:45

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2002 J Jellyfish Non-Soundtrack Music

Jellyfish – Fan Club

Jellyfish is a star that burned brightly but too briefly in the power pop firmament, blasting itself to bits in a kind of dull supernova of creative differences after only two albums. To say that those two albums have attracted a following would be something of a massive understatement: there’s actually a tribute album out, and even brief association with Jellyfish has made cult rock heroes out of musicians like Jason Falkner, Roger Manning and Tim Smith. For music fans who missed the pop revolution of the 1970s, Jellyfish rolled almost all of that experience into those two albums, spruced up for the early ’90s. For a band with a legacy of two albums and a handful of B-sides, Jellyfish is cited as a seminal influence by an alarming number of artists these days.

In 2002, Not Lame Records assembled this box set – with label founder Bruce Brodeen putting his home on the line to pay for the licensing and duplication – featuring demos, rare tracks, and even live appearances. In the grand scheme of things, there’s precious little in the way of new music – in this context, meaning completely new songs – that fans haven’t heard before, but there’s still enough here to cover four discs.

The Bellybutton demos feature several songs that I hadn’t heard before, which simply didn’t make the cut for the band’s first album. While they’re not bad songs, they’re just not quite on the same level as “The King Is Half-Undressed” or “The Man I Used To Be”, including a very early version of “Bye Bye Bye” (which ended up on Spilt Milk) and a cover of Donovan’s “Season Of The Witch”, among other things.

Jumping ahead to the disc of Spilt Milk demos and outtakes, and other songs from the same era, it’s easy to tell that even the demos were so intricate and polished that they would’ve done many an artist proud as final mixes. Not so for Jellyfish, though – and one wonders if that quest for perfection (and the inevitable headaches that result from that quest) isn’t what drowned Jellyfish once and for all. There are numerous new songs on this disc as well, including a cluster of demos recorded of songs that Manning and Andy Sturmer penned for potential inclusion on a Ringo Starr solo album. They’re all good stuff, very well pitched to Ringo’s strengths and the styles he and his listeners are accustomed to, but they wouldn’t have been bad Jellyfish songs in their own right either – that, perhaps, being the no-lose propostion in cooking up a bunch of Ringo-esque/borderline-Beatlesque songs: whatever Ringo didn’t want was probably a likely candidate for the third album that never happened. The only song that seems like the odd man out from the “Ringo demos” is “Watchin’ The Rain”, a song which just never quite seems like something that either Ringo or Jellyfish would’ve done – a kind of nondescript ’80s-style ballad. On the opposite end of that spectrum is the dead-center perfect tribute to the Beatles that is “I Don’t Believe You”. If you didn’t know it was Jellyfish, you’d probably swear that it was some previously undiscovered tune by the Fab Four themselves.

B-sides as well as one-off soundtrack and compilation singles that were released between Bellybutton and Spilt Milk land on this disc as well, including the infamous Super Mario Bros.-themed “Ignorance Is Bliss”, originally released on 1991’s all-star Nintendo White-Knuckle Scorin’! album, back from the days when Nintendo was nearly eclipsing just about everything else on the pop culture scene. Unlike most artists who contibuted a single to that compilation, Jellyfish actually did their homework and delivered a song that’s literally about Super Mario – from King Koopa’s perspective! It’s destined to go down as a disposable novelty single, but it’s worth at least a couple of listens for the sheer musicality of it. Disposable novelty song or not, the group poured a lot of effort into it.

The live discs are a revelation, showing the sheer determination of the group to replicate their complex sound on stage. That they actually pull it off, more often than not, without significantly dumbing down the arrangements of either their own densely-orchestrated pieces or any number of cheekily chosen covers, is just this side of a miracle, again a testament to the combined musical skill of Jellyfish. The Spilt Milk live disc really shines, including a couple of demonstrations of an addition that the group made to the set list just for concerts in Japan. (It’s probably no surprise that Andy Sturmer, post-Jellyfish, went on to produce Puffy Amiyumi, and most of the former Jellyfishers’ solo and side projects have far, far less difficulty finding a label home in Japan than they do anywhere in the English-speaking world. Obviously they made their impact in Japan.) The last track on the last CD is the Jellyfish cover of “Think About Your Troubles”, the group’s 1994 contribution to a posthumous Harry Nilsson tribute album, and the last thing they recorded.

So what’s the sum total of these four discs of on-stage antics and in-studio rarities? If the two studio albums alone didn’t do it for you, Fan Club will finish the job of filling your ears with glee and filling your heart with melancholy that Jellyfish, as an entity whose whole was at least as great as the sum of its very 4 out of 4talented parts, didn’t continue. The demos and B-sides and other tracks, stuff that the band felt was not album material or single material, are – for the most part – better than a lot of stuff that other groups feel is album material or single material. Jellyfish wasn’t a band that could do no wrong, but in the space of two albums and at least any many years’ worth of touring, Jellyfish also hadn’t dropped anything lamentably bad in our ears. This was a group that burned bright and burned out fast, the only consolation being that its various members are still active turning out their own stellar pop music.

You Can't Order this CD

    Disc One: The Bellybutton Demos, 1988-89
  1. The Man I Used To Be (4:23)
  2. Bedspring Kiss (4:45)
  3. Deliver (3:07)
  4. Now She Knows She’s Wrong (2:15)
  5. Queen Of The USA (5:13)
  6. Always Be My Girl (3:36)
  7. I Wanna Stay Home (4:10)
  8. Let This Dream Never End (3:59)
  9. Season Of The Witch (4:22)
  10. That Girl’s A Man (3:42)
  11. Calling Sarah (4:48)
  12. All I Want Is Everything (3:12)
  13. Bye Bye Bye (3:48)
  14. She Still Loves Him (4:27)
  15. Baby’s Coming Back (2:53)
  16. The King Is Half-Undressed (3:40)
    Disc Two: The Bellybutton Tour, 1990-91
  1. MTV Top Of The Hour (0:20)
  2. Much Music, Canada (0:30)
  3. The King Is Half-Undressed (3:49)
  4. Sugar And Spice (2:14)
  5. 91X, San Diego (0:19)
  6. Two All-Beef Patties (0:15)
  7. Mr. Late (3:38)
  8. No Matter What (2:43)
  9. All I Want Is Everything (4:25)
  10. Much Music, Canada (1:07)
  11. Hold Your Head Up / Hello (5:24)
  12. Calling Sarah (4:06)
  13. She Still Loves Him (4:08)
  14. Will You Marry Me (6:41)
  15. Baby Come Back / Baby’s Coming Back (4:25)
  16. Now She Knows She’s Wrong (2:50)
  17. Let ‘Em In / That Is Why (5:12)
  18. Jet (3:18)
  19. Much Music, Canada (0:37)
  20. The King Is Half-Undressed (3:38)
  21. Baby’s Coming Back (2:57)
  22. I Wanna Stay Home (4:05)
  23. She Still Loves Him (3:51)
  24. All I Want Is Everything (4:24)
    Disc Three: The Spilt Milk Demos, 1991-92
  1. World Cafe (0:40)
  2. Spilt Milk Intro (0:44)
  3. Hush (1:18)
  4. Joining A Fan Club (3:45)
  5. Sabrina, Paste And Plato (2:11)
  6. New Mistake (4:05)
  7. Glutton Of Sympathy (4:02)
  8. The Ghost At Number One (3:25)
  9. All Is Forgiven (4:09)
  10. Russian Hill (4:43)
  11. He’s My Best Friend (3:42)
  12. Family Tree (4:00)
  13. Spilt Milk Outro (1:14)
  14. Ignorance Is Bliss (3:55)
  15. Worthless Heart (3:06)
  16. Watchin’ The Rain (4:11)
  17. I Need Love (3:09)
  18. I Don’t Believe You (3:21)
  19. Long Time Ago (3:47)
  20. Runnin’ For Our Lives (3:40)
  21. Fan Club message (6:02)
    Disc Four: The Spilt Milk Tour, 1993
  1. Glutton Of Sympathy (4:58)
  2. Baby’s Coming Back (3:01)
  3. That Is Why (3:30)
  4. The Ghost At Number One (3:29)
  5. Joining A Fan Club (2:51)
  6. World Cafe (1:09)
  7. I Can Hear The Grass Grow (3:26)
  8. New Mistake (4:03)
  9. Eleanor Rigby (1:35)
  10. S.O.S. (1:14)
  11. S.O.S. (2:08)
  12. All Is Forgiven (4:12)
  13. Sabrina, Paste And Plato (2:25)
  14. Joining A Fan Club (4:35)
  15. The Ghost At Number One (3:49)
  16. The Man I Used To Be (4:48)
  17. Glutton Of Sympathy (4:04)
  18. New Mistake (4:43)
  19. Think About Your Troubles / hidden track: The King Is Half-Undressed (11:00)

Released by: Not Lame Records
Release date: 2002
Disc one total running time: 62:20
Disc two total running time: 74:56
Disc three total running time: 69:09
Disc four total running time: 71:00

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2006 J Jars of Clay Non-Soundtrack Music

Jars Of Clay – Good Monsters

Jars Of Clay - Good MonstersAfter some sidesteps into rootsy country music influences, Jars Of Clay resumes their rock ‘n’ roll course with Good Monsters. Some country influences are still on display, but the past two albums’ flirtation with roots music really seemed to obscure what drew such an audience to the Jars in the first place: these guys can flat-out rock. The first single, “Dead Man (Carry Me)”, is one of the rockiest songs on the album, but it gives you a fair idea of what to expect here – decent, guitar-driven rock, maybe without leaning on studio technique as much as the group’s first two albums, strong vocals with great harmony work, and overall just a return to the group’s more familiar, catchy sound.

“Work” and “Dead Man” give things a fast-paced one-two punch of that return, and then things settle into a nice medium between the group’s rock sound and some of that recently-explored country/folk music territory, with “Good Monsters” and “Take Me Higher” being a couple more of the album’s strongest rock numbers. But while the music is good, the lyrics are outstanding. I have to single out “Work” especially, as it’s a very good example of why Jars Of Clay is one of the only Christian bands I listen to. The lyric “I have no fear of drowning / It’s the breathing that’s taking all this work” is emblematic of the group’s ability to lyrically address the fact that there is a struggle involved in being human and a there’s even a struggle involved in being a Christian – there are plenty of lyrics that address the “praise and worship” prerequisites of this genre of 4 out of 4music, but there are also plenty of mature lyrics like that one which acknowledge a struggle to stay on the straight and narrow. “Oh My God”‘s startling lyrical admission that “We all have a chance to murder” is another example of this (and it may in fact be the best song this band has ever done). That’s something that I don’t find nearly enough of in this genre of music – sort of like I can’t get enough Jars Of Clay. Highly recommended.

Order this CD

  1. Work (3:53)
  2. Dead Man (Carry Me) (3:19)
  3. All My Tears (3:45)
  4. Even Angels Cry (4:21)
  5. There Is A River (3:51)
  6. Good Monsters (4:05)
  7. Oh My God (6:05)
  8. Surprise (3:50)
  9. Take Me Higher (4:40)
  10. Mirrors & Smoke (3:58)
  11. Light Gives Heat (4:41)
  12. Water Under The Bridge (3:58)

Released by: Essential
Release date: 2006
Total running time: 50:26

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1983 J Journey Non-Soundtrack Music

Journey – Frontiers

Journey - FrontiersQuite possibly the first rock album to have a video game based on it (the arcade game Journey actually predates an Atari 2600 cartridge called Journey Escape by several months), Journey’s Frontiers is one of those pivotal, everybody-remembers-it, all-things-to-all-people albums of the 80s. On the good side, it’s got some of the group’s most memorable songs. On the downside, it takes us away from songs like “Lights” and starts Journey on its slippery downhill slope toward being yet another glam hair band.

“Send Her My Love” comes real close to being – for those of you familiar with Plato’s concept of the “perfect form” – the perfect form of the ’80s power ballad. Not the first one to come along by any means, but all the prerequisite elements are there. It’s a decent song, good lyrics, and all the while it’s riding on a chunky bed of distorted guitar that seems to constantly want to break into the searing solo that finally comes 2/3 of the way into the song – the quintessential Slow Song With Power Chords. Before Bon Jovi was riding a steel horse regardless of being dead or alive, I might add. “Faithfully” runs a close second and adds another traditional power ballad touch, the wordless vocal restatement of the main melody in place of an actual verse.

And of course, everyone’s heard – or, more likely, seen the then-omnipresent video to – “Separate Ways (Worlds Apart)”. That opening keyboard riff is about as ’80s as you can get. Play just that part of that song to someone over the age of 20, and chances are it’ll take ’em back to some kind of a memory of where and who they were at the time. This, too, is a decent song, but for my money, not as good as the hard rock anthem that 3 out of 4is “Chain Reaction”. Something about that song makes me want to get up and march, not dance.

Journey’s Frontiers wasn’t the band’s best album, but it was probably the most popular – and in those days, that consigned a group to repeating the formula ad nauseum. Just as it did here. Recommended, but not their best – stick around, and I’ll discuss Escape at a later date.

Order this CD

  1. Separate Ways (Worlds Apart) (5:28)
  2. Send Her My Love (3:57)
  3. Chain Reaction (4:24)
  4. After The Fall (5:02)
  5. Faithfully (4:28)
  6. Edge Of The Blade (4:34)
  7. Troubled Child (4:31)
  8. Back Talk (3:20)
  9. Frontiers (4:12)
  10. Rubicon (4:18)

Released by: CBS
Release date: 1983
Total running time: 44:14

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2003 J Jewel Non-Soundtrack Music

Jewel – 0304

Jewel - 0304Y’know, when she started out in the mid-1990s, I used to defend Jewel against the popular “Hippie Spice” insult that was often hurled her way, as I really liked that first album of hers, and even liked the second. A couple of years ago, I was a bit more ambivalent about her third album. And now?

Well…uh…I still really like her first album. 0304, on the other hand, spins her off in a completely different direction into a different style of music, and I’m not really sure it suits her …but hey, it’s her career. 0304 opens with “Stand”, sort of a middle-ground between her old, faux-folky lyrical style and her new musical style, as if this is supposed to ease us into the transition. (Hint: it does not.) What follows is basically an album of club rhythms over which Jewel sings some decidedly light-headed lyrics (i.e. “you plus me equals l-o-v-e”), abandoning her previous style of thoughtful and heartfelt lyrics (even if they weren’t necessarily comprehensible in a literal sense). Now she’s singing about a club where the music’s pumpin’ and the bodies are jumpin’…oooookay.

Not all of the songs grate on my nerves – “Run 2 U” reminded me rather pleasantly of the Moody Blues’ drum-machine-driven “English Summer” – but what really bugs me with 0304 is not the change in style, but the radical change in personality. According to all of the press material surrounding this album, Jewel came to her club music epiphany of her own free will, but something about 0304 fairly reeks of corporate interference. “Jewel wants to do another album? Well, that’s great, but can she go from mild acoustic/electric folk-rock to some sexy club music instead? That’d be great. And let’s get to sing through the exact same effects filter as Britney Spears, I love that sound! Great. Let’s do lunch sometime.” (And no, I’m not kidding about the filtered vocals – note to producer: if I wanted to listen to Britney Spears, I’d listen to bleedin’ Britney Spears.)

2 out of 4I have no problem with artists reinventing themselves – hell, Madonna started working with William Orbit and came up with my favorite stuff from her in years – but something’s rotten in the state of Denmark here. I really hope Jewel’s “club music epiphany” is short-lived. Not that I don’t like that style of music, but there are people out there doing it so much better than she is.

Order this CD

  1. Stand (3:15)
  2. Run 2 U (3:39)
  3. Intuition (3:54)
  4. Leave The Lights On (3:23)
  5. 2 Find U (3:16)
  6. Fragile Heart (3:33)
  7. Doin’ Fine (3:14)
  8. 2 Become 1 (4:40)
  9. Haunted (4:53)
  10. Sweet Temptation (4:09)
  11. Yes U Can (4:01)
  12. U & Me = LOVE (3:37)
  13. America (3:43)
  14. Becoming (4:22)

Released by: Atlantic
Release date: 2003
Total running time: 53:39

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2001 H J L M Neil Finn Non-Soundtrack Music O S T Tim Finn V W

Listen To What The Man Said

Listen To What The Man Said: Popular Artists Pay Tribute To The Music Of Paul McCartney“What’s this?” I asked. “A Paul McCartney tribute album benefitting cancer charities and featuring the Finn Brothers? Sign me up!”

Actually, this nice little selection, proceeds from which go toward the fight against breast cancer, has many good covers of Macca’s post-Beatles best. Owsley kicks things off with a picture-perfect reading of “Band On The Run” which doesn’t stray very far from the original Wings recording. SR-71 turns “My Brave Face” – one of my favorite latter-day McCartney solo tunes simply by virtue of the fact that it isn’t “Hope & Deliverance” – into a gleeful hard-rock thrash. Semisonic also faithfully replicates “Jet”, rocking it out a bit but not so much that it’s unrecognizable. The Virgos give a similar treatment to “Maybe I’m Amazed”, while the Merrymakers punch up “No More Lonely Nights” (another personal favorite) a bit. Some of the other renditions fly under the radar a bit – Matthew Sweet’s “Every Night” for one.

And as for Tim and Neil Finn? It pains me to say it, but their cover of “Too Many People” is a mess – it sounds like an unrehearsed one-take-and-that’s-it wonder, without much effort. The arrangement isn’t organized, the sound quality isn’t even up to the standards of the brothers’ admittedly (and intentionally) lo-fi Finn album, and the vocals just smack of a cover band that’s been asked to play something they’d mostly forgotten. Sad to say, the Finn Brothers, who drew my attention to this collection, turned out to be its biggest disappointment. I was stunned. I was also looking forward to the They 3 out of 4Might Be Giants cover of “Ram On”, but it wasn’t so much disappointing as just inscrutably cryptic in its new arrangement.

Overall, a nice set – and one that truly turned my expectations on ear by introducing me to some excellent new artists while the known quantities gave me a wee bit of a let-down.

Order this CD

  1. Band On The Run – Owsley (5:14)
  2. My Brave Face – SR-71 (3:00)
  3. Junk – Kevin Hearn, Steven Page and Stephen Duffy (2:56)
  4. Jet – Semisonic (4:15)
  5. No More Lonely Nights – The Merrymakers (4:11)
  6. Let Me Roll It – Robyn Hitchcock (4:21)
  7. Too Many People – Finn Brothers (3:43)
  8. Dear Friend – The Minus 5 (4:45)
  9. Every Night – Matthew Sweet (2:56)
  10. Waterfalls – Sloan (4:21)
  11. Man We Was Lonely – World Party (2:59)
  12. Coming Up – John Faye Power Trip (3:43)
  13. Maybe I’m Amazed – Virgos (4:14)
  14. Love In Song – The Judybats (4:04)
  15. Warm And Beautiful – Linus of Hollywood (3:08)
  16. Ram On – They Might Be Giants (2:40)

Released by: Oglio
Release date: 2001
Total running time: 60:30

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2002 J Jars of Clay Non-Soundtrack Music

Jars Of Clay – The Eleventh Hour

Jars Of Clay - The Eleventh HourStill my favorite Christian rock act, Jars Of Clay’s fourth album sees them returning not only to the studio, but to the producer’s chair. Though I liked the stylistic stretches that it represented, not everyone dug If I Left The Zoo, with its almost Jellyfish-like experimentation with everything from bluegrass banjos to hard rock. That spirit of not sticking to the program, fortunately, survives through The Eleventh Hour with the hard-rocking “Revolution” (a smart song whose message is that if you really want to be a rebel, try being a decent person instead of trying to be a badass), and flirting with a latter-day R.E.M.-ish sound on “Silence”. The more traditional Jars Of Clay sound is still present too, with “Fly” and an alternate rock hit waiting to be discovered, “I Need You”. The band still excels at love songs which are neither sappy nor overly concerned with physical relations; they could be sung to the object of your affections as easily as they could be sung to Jesus – and that’s the beauty of it, because the latter is who the songs are 4 out of 4directed toward, but these songs could hit mainstream secular radio without sounding like Christian music.

Though the entire album is excellent, the cluster of “Fly”, “I Need You” and “Silence” is one of the better three-song runs I’ve heard on anything I’ve listened to recently. But the entire CD is highly recommended.

Order this CD

  1. Disappear (3:56)
  2. Something Beautiful (3:46)
  3. Revolution (3:42)
  4. Fly (3:20)
  5. I Need You (3:40)
  6. Silence (5:17)
  7. Scarlet (3:32)
  8. Whatever She Wants (3:43)
  9. The Eleventh Hour (4:27)
  10. These Ordinary Days (3:04)
  11. The Edge Of Water (3:54)

Released by: Silvertone
Release date: 2002
Total running time: 42:21

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2001 J Jewel Non-Soundtrack Music

Jewel – This Way

Jewel - This WayLove her or hate her, Jewel is back. I admit to liking quite a bit – but not all – of Jewel’s past work, but I can also see where there’s a bit of pop culture backlash against her trying-almost-too-hard-to-be-earnest style. And to some degree, wisely, she sheds some – but not all – of that style in her latest album.

“Standing Still”, which also led the album as its first single, starts things off with a burst of raw energy which carries Jewel firmly out of the wanna-be folkster category and into rock ‘n’ roll territory. Some might be a bit dubious about this transition, but she actually carries it off well – her voice is capable of pulling it off respectably.

Other standout tracks include L”ove Me, Just Leave Me Alone”, “Serve The Ego”, and “Everybody Needs Someone Sometime”, all of which feature something of the same rocky feel as “Standing Still” to varying degrees. On other tracks, such as “Break Me”, Jewel retains her signature style, proving for the doubters that perhaps she hasn’t changed as much as you might think.

Overall, there’s actually a pretty good balance of new Jewel and old Jewel, stylistically speaking, and there are even a few live tracks thrown in at the end of the album just to mix things up even more. Still, there’s something missing – the ballads don’t come close to reaching the eloquence of “Amen” or “Deep Water”, and the rockier numbers somehow aren’t on the same plateau as, say, “Down So Long” or “Who Will Save Your Soul”. It’s just possible that Jewel has run out of inspiration and is falling back on old tricks to fill things out. The 3 out of 4press material for This Way made a point of telling us that Jewel had been burned out on touring and promotions during the publicity trail for her second album, and retreated from performing for a while to recoup her energies; This Way, while certainly listenable in places, comes across as a bit hollow both musically and lyrically. Maybe Jewel wasn’t quite ready to come back.

Order this CD

  1. Standing Still (4:29)
  2. Jesus Loves You (4:20)
  3. Everybody Needs Someone Sometime (4:08)
  4. Break Me (4:03)
  5. Do You Want To Play? (2:55)
  6. Till We Run Out Of Road (4:45)
  7. Serve The Ego (4:57)
  8. This Way (4:16)
  9. Cleveland (4:09)
  10. I Won’t Walk Away (4:46)
  11. Love Me, Just Leave Me Alone (3:47)
  12. The New Wild West (5:05)
  13. Grey Matter (4:40)
  14. Sometimes It Be That Way (4:21)

Released by: Atlantic
Release date: 2001
Total running time: 59:41

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2002 A B C ELO F H J Jason Falkner K L Non-Soundtrack Music P R S V

Lynne Me Your Ears: Tribute To The Music Of Jeff Lynne

Lynne Me Your EarsThe premise of this double-disc compilation is simple: various modern pop artists, most of them enjoying cult indie label status (and a few of them refugees from major labels too), revisit the songs of one of their musical heroes, ELO’s Jeff Lynne. Colorado’s own Not Lame Records has been teasing the heck out of this release for months, only to watch it be bogged down by politics (the father/son duo of Randy and Tal Bachman, each of whom were originally slated to contribute a song, pulled out) and delays (a printing error in the first run of liner notes booklets which caused the collection to slip well past its original pre-Christmas 2001 release date). And now that it’s here, was it worth the lengthy wait?

The answer is, in most cases, absolutely. The covers (which don’t limit themselves to ELO material but also cover Lynne’s contributions to the Traveling Wilburys, a 1960s U.K. group known as the Idle Race, and his solitary solo album) vary wildly, ranging from faithful homages to reinterpretations in a completely new style.

Some of the better “near-beer” covers include former R.E.M. producer Mitch Easter’s collaboration with Bobby Sutliff on the first ELO single, “10538 Overture”; Michael Carpenter’s near-carbon-copy of Lynne’s solo single “Every Little Thing”; Jason Falkner’s raw cover of “Do Ya”, a stripped-down, Buddy Holly-ized cover of “Rock ‘N’ Roll Is King” by Walter Clevenger and the Dairy Kings, and an accurate-down-to-the-overmodulation-distortion copy of the Idle Race’s “Morning Sunshine” by Jeremy.

The real triumphs of Lynne Me Your Ears, however, are those artists who took extensive liberties and created something completely new – Ross Rice’s hip-hop-ified cover of “Evil Woman” is both funky and up-to-date, and Tony Visconti (former Move and Moody Blues producer) turns in a tasty new take on “Mr. Blue Sky”, starting out as a rap and then tumbling through every style in the book by the end of the song’s lengthy instrumental coda. Prairie Sons and Daughters transform the eloquence of “One Summer Dream” into a spiky, guitar-drenched masterpiece that also takes a detour into “In Old England Town” from ELO’s second album. That multiple-song-tributes-in-a-single-track trick is repeated masterfully by Rick Altizer, who leaps from the soulful opening guitar solo of “Laredo Tornado” into a thundering modernized version of “Boy Blue”. Former Move vocalist Carl Wayne, ironically, takes the stage-musical feel of “Steppin’ Out” to its logical, grandiose conclusion (it was Wayne who stepped out of the Move in 1970, a departure that made way for Jeff Lynne to join the group). The Shazam squeezes the synths out of “Twilight” and turns it into a wonderful wash of electric guitar work (but keeps the harmonies intact), and “Turn To Stone” gets a similar treatment from Roger Klug. Sparkle*Jets UK turn the dreamy “Above The Clouds” into a cheerful, rockin’ power pop number.

Perhaps the most shocking transformation bestowed upon any of the songs here is “On The Run”, a rapid-fire techno-before-there-was-techno tune from 1979’s Discovery which is rendered here by Sixpence None The Richer as a relaxing acoustic piece with a slow, majestic gait and Leigh Nash’s always pleasant voice. It has to be heard to be believed – this may be the best example on Lynne Me Your Ears of a band taking one of the old ELO chestnuts and making it their own.

There are a small number of misses for all of those hits, however; Peter Holsapple’s cover of the Move’s “No Time” has yet to click with me – the harmonies seem to be a misfire in some places. The Heavy Blinkers’ cover of “You Took My Breath Away”, itself a Roy Orbison tribute penned by Lynne for the second Traveling Wilburys album, lacks the melancholy of the original and comes out sounding a little too sunny. And the “Sweet Is The Night” cover heard here seems to have lost a lot of what made the original so appealing.

4 out of 4Overall, however, a nice treat for ELO/Lynne fans, and hey, your mileage may even vary on which songs worked and which ones didn’t. Highly recommended – and, in the face of Sony’s recent reticence to continue the promised remastering of the entire ELO catalogue, it may be the last ELO related treat we fans get for quite a while. Soak it up slowly and enjoy.

Order this CD

    Disc one
  1. 10538 Overture – Bobby Sutliff & Mitch Easter (4:35)
  2. Ma Ma Ma Belle – Earl Slick (4:05)
  3. Telephone Line – Jeffrey Foskett (4:49)
  4. Do Ya – Jason Falkner (3:58)
  5. Sweet Is The Night – Ben Lee (3:28)
  6. Rockaria! – Pat Buchanan (3:49)
  7. Every Little Thing – Michael Carpenter (3:52)
  8. No Time – Peter Holsapple (3:59)
  9. Showdown – Richard Barone (4:26)
  10. Handle With Care – Jamie Hoover (3:25)
  11. Strange Magic – Mark Helm (3:54)
  12. Evil Woman – Ross Rice (4:51)
  13. Steppin’ Out – Carl Wayne (4:27)
  14. Don’t Bring Me Down – SWAG (3:13)
  15. One Summer Dream – Prairie Sons & Daughters (7:16)
  16. Can’t Get It Out Of My Head – Doug Powell (4:57)
    Disc two
  1. Twilight – The Shazam (3:11)
  2. Mr. Blue Sky – Tony Visconti (5:02)
  3. You Took My Breath Away – The Heavy Blinkers (3:07)
  4. Message From The Country – The Balls of France (4:28)
  5. The Minister – Ferenzik (4:43)
  6. Xanadu – Neilson Hubbard and Venus Hum (3:31)
  7. When Time Stood Still – Bill Lloyd (3:27)
  8. Above The Clouds – Sparkle*Jets UK (4:00)
  9. Rock And Roll Is King – Walter Clevenger and the Dairy Kings (3:14)
  10. Morning Sunshine – Jeremy (2:19)
  11. Boy Blue – Rick Altizer (3:45)
  12. Livin’ Thing – Pray For Rain (3:57)
  13. On The Run – Sixpence None The Richer (2:37)
  14. Bluebird Is Dead – Todd Rundgren (5:06)
  15. Turn To Stone – Ruger Klug (5:11)
  16. Eldorado – Fleming and John (6:41)

Released by: Not Lame Records
Release date: 2002
Disc one total running time: 69:04
Disc two total running time: 64:19

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1997 J Jars of Clay Non-Soundtrack Music

Jars Of Clay – Much Afraid

Jars Of Clay - Much AfraidIn an excellent follow-up to their debut album, Jars of Clay continue exploring their musical strengths, while moving their lyrics into a more mature and somewhere darker plane. The cutting “Crazy Times”, though it remains within the parameters of the band’s Christian rock obligations, also seems to be a little more judgemental than the first album’s material (“it takes more than your saline eyes / to make things right”). However, these lyrics add just a dash of realism to what could have instead been an increasingly happy and condescending tone that I sometimes find irritating in this particular genre. Jars of 4 out of 4Clay maintain their awesome gift for harmonies with songs such as “Fade To Grey”, “Overjoyed”, and “Truce”, my favorites from this album. The string section embellishments from their previous album can be heard again here, proving that this is one band that can find new approaches within the sound that made them popular. Definitely a good one.

Order this CD

  1. Overjoyed (2:59)
  2. Fade To Grey (3:34)
  3. Tea and Sympathy (4:52)
  4. Crazy Times (3:34)
  5. Frail (6:37)
  6. Five Candles (You Were There) (3:48)
  7. Weighed Down (3:39)
  8. Portrait of an Apology (5:42)
  9. Truce (3:11)
  10. Much Afraid (3:52)
  11. Hymn (3:56)

Released by: Essential
Release date: 1997
Total running time: 46:08

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