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1968 1972 K Music Reviews N Soundtracks Soundtracks by Title Television Year

Nightwatch / Killer By Night

4 min read

Order this CDAn oddball pairing of two very different scores for two very different TV pilots, by – you guessed it – two very different composers. One of the final titles issued by the much-missed Film Score Monthly label, the obscurity of the scores presented probably kept this release obscure as well, but it’s very much worth a listen.

Still in his “Johnny Williams” days prior to shedding his jazz musician moniker, John Williams turns in a fascinating score to an unsold 1966 series pilot that didn’t get an airing in a TV movie slot until 1968. The main theme from Nightwatch has hallmarks of Williams’ past – there’s a strong rythmic influence from his Lost In Space theme – and his future, namely in an echoing brass motif that would later find use, in a slightly slower form, aboard the Death Star. But put those two elements together and the result is almost, at the risk of committing sacrelige, Goldsmithian. And that’s a description that applies to parts of Williams’ score for the Robert Altman-directed pilot, while just as many parts are unmistakably Williams. It’s a fascinating selection of music from a period when Williams’ playbook wasn’t set firmly in Star Wars/Jaws/Superman/Indiana Jones mode. Not that there’s anything wrong with any of those, but the Nightwatch score is a bit more experimental – and the fact that elements of it show up in his later work speaks to the fact that not only did Williams deem his experiments to be of value, but he also probably never expected this material to resurface again.

Aired in 1972 as another unsold pilot, Killer By Night starred Greg Morris, fresh off of Mission: Impossible, in a gritty crime drama about trying to track down a disease carrier trying to remain at large in a heavily populated area. None other than Quincy Jones scored this project, which, like Nightwatch, vanished into obscurity after its premiere. (I don’t know if it’s amusing or sad that it’s now easier to hear the music from either of these shows than it is to see the shows themselves.) Jones’ score fits somewhat into the expected jazz category for an early ’70s crime noir, but the somewhat scientific element of the storyline gives Jones a good excuse to get spooky with it too, adding some weird synthesizer to the lineup and letting the listener know this isn’t just going to be car chases and gunfire. Some tracks do fit right into the early ’70s TV jazz pigeonhole; the end credit theme gets wonderfully funky, and still other tracks pour on the weird. It’s as different as you can get from Nightwatch, but both are equally welcome.

4 out of 4That either of these scores exist, and can be listened to, at all is a real treat. (The Altman pilot scored by John Williams is so obscure it doesn’t even appear in Altman’s IMDb listing.) There was a time when the boutique soundtrack labels could drop real surprises in our laps like this one and curious soundtrack fans were up for the discovery. These days, out-of-left-field releases like this are more rare – the soundtrack labels have to line up titles that they’re certain will sell, not just titles that will spark mere window-shopping curiosity. That’s a loss for us all. Because this kind of music, dusted off after a long rest in the vault, tended to be the most wonderfully surprising stuff.

    Nightwatch – music by Johnny Williams
  1. Nightwatch Main Title (1:01)
  2. Bertil’s Bomb (0:49)
  3. Lund’s Problem (2:14)
  4. Lund’s Leap (1:59)
  5. The Cradle Might Rock (0:46)
  6. Granstrom’s Headache (1:01)
  7. A Child’s Fear (1:57)
  8. Kathryn Flees (0:36)
  9. The Run (0:50)
  10. By the Fence (1:29)
  11. Stumbling Around (1:01)
  12. Entering the Hospital (0:32)
  13. Inside the Hospital / The Final Dash (3:07)
  14. The Waiting Room (1:04)
  15. End Title (1:20)
  16. Nightwatch End Title (0:51)
  17. Chicago Group (source) (3:12)
  18. Bumper #1 / Bumper #2 (0:19)
  19. Promo (0:40)

    Killer By Night – music by Quincy Jones

  20. Main Title / Opening Hold-Up (4:23)
  21. Dead Dip Bird (1:44)
  22. High Rent District (0:51)
  23. Doctor, Come Home / Girl Died (1:44)
  24. Point One (0:47)
  25. Somethin’ Def (0:43)
  26. Oxygen Tent / 22 Possibles / His Room (1:26)
  27. Sweaty Meeting (0:36)
  28. No Title (2:12)
  29. Doctor, Wife & Supermart (0:49)
  30. 4th Cut to Hood / Wait (1:06)
  31. Microscope / Let’s Get Him (3:11)
  32. Cut To Cops (2:25)
  33. Police (2:00)
  34. Door Up the Ladder (2:01)
  35. End Title (3:32)
  36. Tracey Source (3:13)

Released by: Film Score Monthly
Release date: November 3, 2011
Total running time: 59:20

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Categories
2014 Music Reviews N Soundtracks Soundtracks by Title Television Year

NHK Special: The Explosion Of Comet ISON, Mystery Of The Solar System – music by Yasunori Mitsuda

4 min read

Order this CDSometimes a soundtrack reviewer just tries to keep up with the latest and greatest, and sometimes a soundtrack reviewer hits you betwixt the ears with something that, while not being the latest and greatest, is what they’ve been listening to in their downtime. This is one of those reviews.

Discovered by astronomers in 2012, Comet ISON (named for the series of networked telescopes used to observe it) caused a stir as it sped toward the inner solar system. Some astronomers, both professional and amateur, pondered the possibility that it might be observable by the unaided human eye, and that its brightness might be greater than the moon’s. But in November 2013, its path carried it into close proximity of the sun, whose heat and gravity shredded the comet into fragments so small that they could no longer be detected. Naked eye stargazers might have been disappointed, but all of this was of intense interest to the astronomical community. And in December 2013, Japanese television network NHK forged ahead with an already-planned television special about the comet, even though it had been destroyed.

Tapped to provide the music for this special was renowned video game and anime composer Yasunori Mitsuda, whose music had graced the likes of Chrono Trigger, Mario Party, Xenogears, Shadow Hearts, Xenoblade Chronicles, and many more. Mitsuda created a soundtrack befitting an epic movie, not a slightly dry but nicely-presented prime-time science special. Everything about this score is the very definition of “extra”. Did the show’s opening title theme need to feature a soaring, wordless female vocal that seemed to be something like the lost sister of the original Star Trek theme? Probably not. But that’s what it got, orchestral and near-operatic grandeur. The second track after that epic opening does some masterful mood-setting. “Distant Universe” creates a feeling of wistful wanderlust; “Human Evolution” is a track of quite, majestic mystery. This is for a science special? This music is making me feel things.

It’s not all orchestral splendor. There are some tracks of percolating synth music (“Comet Tour Of Dreams”, “Understanding The ISON Comet”, “Mission – Challenges”, most of the “Analysis” tracks) that are probably more like what one would expect a prime-time science educational special to sound like. But the sad fact is: Mitsuda composed and recorded everything prior to the special, which was scheduled to go out live so audiences could see Comet ISON’s brightest, closest approach to the sun and the inner planets in, more or less, real time. But that closest approach led to the comet’s destruction, leaving nothing to broadcast live except for a really elaborate obituary for a celestial body. Not all of the music was used in the special, because it no longer fit the subject matter. There’s absolutely sumptuous music here, recorded in advance, for an event that never happened. (One suspects that the bold, triumphant heraldry of “Amazing Huge Comet” is one of the unused cues.)

4 out of 4And it’s absolutely some of the best work Yasunori Mitsuda’s ever done. No joke, this blows away nearly all of what I’ve heard of his video game music. He was given real players and a real budget, an unrestrictive briefing on the subject matter, and was set loose to do what he wanted. This lovely soundtrack is the result, even more than the show it was meant to accompany could hope to be under the circumstances, and it’s definitely worth a listen.

  1. Large Comet ISON (2:23)
  2. 50 Million Year Journey (3:39)
  3. Thoughts Toward A Starry Sky (1:48)
  4. Comet Tour Of Dreams (2:21)
  5. Distant Universe (2:09)
  6. Human Evolution (2:41)
  7. Mystery Of The Unknown (2:07)
  8. Understanding The ISON Comet (2:05)
  9. Analysis, Part 1: Science (2:12)
  10. Analysis, Part 2: Puzzle (1:59)
  11. Analysis, Part 3: The Past (2:02)
  12. Analysis, Part 4: Clarification (2:40)
  13. Analysis, Part 5: Analysis (1:54)
  14. Mission – Challenges (2:33)
  15. Amazing Huge Comet (2:37)
  16. Yearning Toward The Skies (2:39)
  17. Large Comet ISON: Piano Version (2:17)

Released by: Sleigh Bells Records
Release date: April 27, 2014
Total running time: 40:06

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Categories
1986 2003 N Namco Soundtracks Video Game / Computer Game

Namco Video Game Music

3 min read

Order this CD in the StoreEven though we now live in an age where ringtones outstrip them with actual sampled sounds, I’ve always thought the bite-sized video game music cues of yesteryear were really catchy in their own hypnotic way. Granted, they weren’t exactly great music in cases, and some of them weren’t even particularly complex – but with repeat exposure, they had a way of lodging themsselves in my brain all the same.

Namco Video Game Music is a CD that gives you a chance to hear those sounds away from the games that inspired them. In come cases, that’s brilliant, while in others, it comes across as little more than a sound effects disc for serious retrogaming enthusiasts. It’s hard to take it to task too much, however, for this is a CD pressing of one of the very earliest releases of video game music in the world, having originally appeared on vinyl in Japan around 1986.

There’s a decent balance struck here between popular games whose sounds everybody will recognize, and obscure, less obvious titles. Phozon and Libble Rabble never even made it to North American arcades, but they each boast some outstanding pieces of intricate music. On the other hand, as familiar and popular as Pac-Man is, it really only has a couple of pieces of music; much of its track is taken up by the sound of the game being played. You could hook up any machine running Namco Museum to your stereo and get much the same effect.

Other games have great music that are a little bit buried behind sound effects. When the Pole Position track finally got to the end of its “sound effects” section and started playing the game’s numerous post-game ditties in a row, I found that I remembered each one of them well (and while I’m sure some would say “well, that’s because you’ve been playing it nonstop for 24 years!”, I don’t really go reaching for a Pole Position fix that often – the music is, in fact, that catchy).

The first and final tracks, however, are the real bonus fruit at the end of the round. The track devoted to Xevious kicks off with a wonderfully authentic arcade soundscape, with the sound of that game front and center in the mix. Gradually, though, it segues into something else: the repetitive Xevious background tune becomes the backdrop for an Art Of Noise-esque collage of samples from the game, carefully arranged to provide their own beat. Given the original release date of this album, and the fact that Art Of Noise was only just catching on at the time in its original form, this means Namco Video Game Music was way ahead of its time.

The final track kicks off with what sounds like a Galaga audio chip test, cycling through all of the possible sounds and musical interludes that the game contains, until it settles upon the almost hypnotic post-game tune that accompanies your final score and hit ratio statistics. Again, new instrumentationRating: 3 out of 4 is gradually added to the mix, with not-quite-lounge-style organs expanding on and developing that tune until it’s actually upbeat and relaxing. Given the way that the sparse music from these two games is developed into music that stands on its own, it’s really a shame that the rest of the album wasn’t along the same lines.

  1. Xevious (6:15)
  2. Bosconian (0:15)
  3. Pac-Man (2:57)
  4. Phozon (2:12)
  5. Mappy (3:36)
  6. Libble Rabble (3:35)
  7. Pole Position (2:43)
  8. New Rally-X (3:11)
  9. Dig Dug (1:30)
  10. Galaga (4:23)

Released by: Scitron Digital
Release date: 2003 (originally released in 1986)
Total running time: 30:37

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Categories
2001 Namco Soundtracks Video Game / Computer Game X

Super Xevious – video game remixes by Haruomi Hosono

2 min read

Video game music legend Haruomi Hosono turns his remixing talents to some of Namco’s classics with this EP-length CD single. Curiously tagged Super Xevious, this remix CD essentially revolves around the music that game shared with its predecessor, Xevious. Hosono stretches the game’s few signature tunes out to a whopping eight minute remix; as you might expect, there’s quite a bit of musical repetition, but the music evolves by the layers of rhythm and other elements Hosono piles on top. A somewhat shorter remix of Hosono’s remix is included as the last track.

The track of music from Gaplus is essentially a layered reworking of the third-level music from that game; nothing is really changed from the original game music, but again, elements are added over the top 3 out of 4of it. A very brief track of music from Tower Of Druaga is also included, though even at its short length, this track doesn’t exactly invite repeat listening.

Perhaps a bit pricey for its meager running time, Super Xevious does include some interesting remix material that is, for the most part, a fun listen for fans of the 80s arcade classics.

Order this CD

  1. Super Xevious (8:51)
  2. Gaplus (5:20)
  3. The Tower of Druaga (1:47)
  4. Super Xevious – Gust Notch Mix (3:46)

Released by: Scitron Digital
Release date: 2001
Total running time: 19:47

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Categories
1998 N Namco Soundtracks Video Game / Computer Game

Namco Classic Collection Volume 1

2 min read

Think of it as the Star Trek sound effects CD for computer game fanatics; Namco Classics Collection Vol. 1 (no relation to the Namco Classics remix CD by Techno Maniax reviewed here earlier) is the soundtrack – such as it is – to a multi-game coin-op which includes three of the company’s vintage video game chestnuts, Galaga, Mappy and Xevious, each in both their original and updated “Arrangement” versions. The Arrangement tracks tend to rehash the music of the original games with a more modern sound (though not too modern), and are actually neat; and having heard it many a time while playing one of the 4 out of 4bonus games on Xevious 3-D/G+, I can vouch for the unmatched low-key cool of Xevious Arrangement‘s level 1 background music.

Nice stuff, and flawlessly captured on disc, but really only for the faithful and devoted fans of “the oldies.”

Order this CD

  1. Classics Starting Over (0:06)
  2. Classics Opening (0:35)

    from Galaga

  3. Kurejitto Oto (0:05)
  4. Geimu Staato Myuujikku (0:09)
  5. Ekusutendo Oto (0:05)
  6. Charenjingu Steiji Staato Myuujikku (0:05)
  7. Charenjingu Steiji Paafekuto Myuujikku (0:09)
  8. Charenjingu Steiji Nonpaafekuto Myuujikku (0:10)
  9. Maishippu Tsurasarare Oto (0:15)
  10. Maishippu Torikaeshi Oto (0:05)
  11. Kyaputibu Gosha Oto (0:15)
  12. Haiscoa Neimu Ire Myuujikku (0:27)
  13. Neimu Ire Myuujikku (0:21)
  14. Insert Coin! (0:06)
  15. Game Start (0:10)
  16. Stage Indication (0:04)
  17. BGM: Stage 1 (1:04)
  18. BGM: Stage 2 (1:08)
  19. BGM: Stage 3 (1:02)
  20. BGM: Stage 4 (1:10)
  21. BGM: Stage 5 (1:15)
  22. BGM: Stage 6 (1:05)
  23. BGM: Challenging Stage (0:47)
  24. BGM: Challenging Stage Clear! (0:09)
  25. BGM: Final Stage (1:15)
  26. BGM: Indicating Your Score (0:10)
  27. BGM: Hi Score Name Entry (0:20)
  28. BGM: Name Entry (0:22)
  29. BGM: Continue (0:25)
  30. BGM: Game Over (0:20)
  31. BGM: Ending (1:18)

    from Xevious

  32. Kurejitto Oto (0:05)
  33. Staato Myuujikku (0:07)
  34. Geimu BGM (0:24)
  35. Ekustendo Oto (0:05)
  36. Ikurai Neimu Ire Myuujikku (0:19)
  37. Ikurai Neimu Ire Myuujikku (0:28)
  38. BGM 1 (4:35)
  39. BGM 2 (4:25)
  40. BGM 3 (3:50)
  41. BGM 4 (1:34)
  42. Staato Mae Manga BGM (0:07)
  43. Kurejitto Oto (0:04)
  44. Mein BGM (1:11)
  45. Ekusutendo Myuujikku (0:05)
  46. Mein BGM (Hurry Up!) (0:54)
  47. Raundo Kuria Myuujikku (0:06)
  48. Boonasu Raundo Staato Myuujikku (0:06)
  49. Boonasu Raundo BGM (0:40)
  50. Boonasu Raundo Oobaa Myuujikku (0:13)
  51. Misu Oto (0:05)
  52. Neimu Ire Myuujikku (0:36)
  53. Neimu Ire Shuuryou Myuujikku (0:14)
  54. Geimu Oobaa Myuujikku (0:12)
  55. Insert Coin! (0:04)
  56. Game Start! (0:08)
  57. BGM: Area 1 (1:42)
  58. Round Clear! – Area 1 (0:05)
  59. BGM: Area 2 (2:06)
  60. Round Clear! – Area 2 (0:06)
  61. BGM: Area 3 (1:54)
  62. Round Clear! – Area 3 (0:06)
  63. BGM: Area 4 (2:01)
  64. Round Clear! – Area 4 (0:05)
  65. BGM: Area 5 (2:27)
  66. Round Clear! – Area 5 (0:05)
  67. BGM: Area 6 (2:11)
  68. Round Clear! – Area 6 (0:06)
  69. Opening Fanfare! – Bonus Round (0:04)
  70. BGM: Bonus Round (0:43)
  71. Result – Bonus Round (0:14)
  72. Winner’s Fanfare – Bonus Round (0:04)
  73. BGM: Boss Round (1:24)
  74. BGM Hurry Up! Boss Round (0:33)
  75. Round Clear! Boss Round (0:06)
  76. BGM: Oops! I Missed! (0:06)
  77. BGM: Game Over (0:11)
  78. BGM: Continue (0:35)
  79. BGM: Name Entry (1:36)
  80. BGM: Name Entry Over (0:14)
  81. BGM: Ending (1:25)

Released by: Wonder Spirits
Release date: 1998
Total running time: 56:18

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Categories
1998 N Namco Soundtracks Video Game / Computer Game

Namco Classic Collection

4 min read

Here it is, possibly the weirdest tie-in album ever. You’ve seen music devoted to Muppets, Teletubbies, Power Rangers, Powerpuff Girls, and any number of other bizarre mascots. But what about a modern-day musical tribute to Pac-Man and his fellow retro-video game stars? That’s the idea behind this limited edition Japanese CD licensed by the jolly joystick giants at Namco, one of the few game manufacturers to have weathered the various storms of the game industry, so naturally the album focuses on the characters of Namco’s arcade game properties some two decades ago.

Naturally, your ability to get anything out of this album will rely very heavily upon your ability to handle house music, as well as how familiar you are with the sounds of various and sundry video games which are now, technically, old enough to drink.

The “Pac-Man Remix” is whimsical, funny, and loaded with audio samples from the game, but when one takes into account that everyone from Aphex Twin to D.J. Maui has already mined that territory adequately, I’m not sure this mix stands out. The track devoted to obscure sequel/upgrade kit New Rally-X is a little more low-key, with game samples not making their first appearance until nearly two minutes into the proceedings. This trend is carried further in the first track devoted to Galaga, my favorite game ever to emerge from Namco’s stable, in which no samples or even musical themes from the game appear, resulting in some rather repetitive dance music with no audible ties to its inspiration. The guitar-driven Dig Dug tune bears somewhat more resemblance to the omnipresent tune that accompanies the game of the same name. The second Mappy mix brings actual samples of the game’s sounds back to the fore, along with appropriately sped-up “mouse” voices counting off “1, 2, 3, 4!” at various intervals throughout the song – though the mind-bendingly staccato drum machine beat tries even my patience. The mix devoted to Xevious leans heavily on samples, and is actually one of the best tracks of the whole collection. The honors ultimately go to the “Pac-Man Remix” and the eight-minute “Galaga: Tiny Voice Production Remix” – which even quotes the musical greeting from Close Encounters Of The Third Kind along with various game sounds (!). Those two tracks are really the epitome of what I was expecting – no, scratch that, hoping for – with this CD.

So, to wrap it up, will anyone aside from me enjoy this CD? Well, it’s entirely possible that I may be the only one. Even thought I walked into this one with an open mind, such tracks as the “Galaga: Feel Like Makin’ Jazz” mix and the “Mappy: Latin Makes You Happy” Remix (both, incidentally, remixed by Akakage) suffer from a total disconnect from their titular inspiration, and made me want to hit the “skip track” button on my CD player. On the other hand, I was greatly relieved that Ryosuke Imai’s Galaga remix, the best thing on here, was also the longest track on offer. But in some ways…the music from the various Namco Museum games for the Playstation is superior, sticking much more closely to the source material musically, if not necessarily using samples. (Why Namco didn’t throw this in as a bonus, or perhaps as a proof-of-purchase premium, with its aforementioned retro game collections is a mystery to me. That’s their target audience!) The packaging is eye-catching, and includes a sticker of the colorful cover art (dozens of CGI Pac-Men wearing headphones and eating musical notes).

3 out of 4This is one of those way-way-out-there entries in my vast library which, like Sharkbait’s Blowtorch Facelift CD, will probably mean something different to everyone who hears it. I liked most of it, but it’s not going to be everyday listening – the mood would definitely have to hit me to sit down and pour some of these tracks into my ears.

Order this CD

  1. Mappy: Latin Makes You Happy Remix – remixed by Akakage (6:23)
  2. Pac-Man Remix – remixed by Yoshihiro Sawasaki (4:27)
  3. New Rally-X: Checkered Flag Mix – remixed by Yoshiaki Onishi (6:00)
  4. Galaga: Feel Like Makin’ Jazz Mix – remixed by Akakage (6:24)
  5. Dig Dug: Pro Action Replay Remix – remixed by Takeo Sasada (3:05)
  6. Mappy Remix – remixed by Yoshihiro Sawasaki (5:09)
  7. Xevious: Maximum Power of Triple Z80 Remix – remixed by Seiya Nakano (4:38)
  8. Galaga: Tiny Voice Production Remix – remixed by Ryosuke Imai (8:01)

Released by: Pony Canyon, Inc.
Release date: 1998
Total running time: 44:07

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Categories
1995 Film N Soundtracks

Nixon – music by John Williams

2 min read

Order this CDIt’s appropriate enough that the controversial Oliver Stone would call upon John Williams to underscore the director’s newest retelling of a deceased American President’s life story. Where Williams’ treatment of JFK seemed experimental, electronic and appropriately unsettling, his take on the life of Richard Nixon (as told by Stone) seems much more serene and traditional in comparison. There’s also some outstanding solo trumpet work. Interestingly, two tracks actually do bear a strong resemblance to Williams’ JFK soundtrack, one being a recap of the decade leading up to Nixon’s presidency (which includes 1963), the other piece accompanying the Watergate 4 out of 4break-in itself. And somewhat more pleasingly, the Nixon soundtrack contains only one non-original piece – a brief statement of the “Battle Hymn of the Republic” – and the rest of the album consists of the movie’s score (as opposed to JFK‘s 1960s hit parade). Highly recommended, and the best Williams movie score in years.

  1. The 1960s: The Turbulent Years (5:04)
  2. Main Title…the White House Gate (4:17)
  3. Growing Up In Whittier (2:42)
  4. The Ellsberg Break-In and Watergate (2:43)
  5. Love Field: Dallas, November 1963 (4:51)
  6. Losing a Brother (3:18)
  7. The Battle Hymn of the Republic (1:03)
  8. Making a Comeback (2:20)
  9. Track 2 and the Bay of Pigs (4:47)
  10. The Miami Convention: 1968 (3:19)
  11. The Meeting with Mao (3:09)
  12. “I Am That Sacrifice” (4:49)
  13. The Farewell Scene (5:01)

Released by: Hollywood Records
Release date: 1995
Total running time: 68:13

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Categories
1993 F Film N Soundtracks

Christopher Franke – New Music for Films, Volume One

New Music for Films, Volume OneBrought to you by the same Tangerine Dream alumnus responsible for the music on Babylon 5 every week. Pretty much the same style as his other work here with a few interesting variations…but very few interesting variations. I’d only advise this album for those really, really into Franke’s trademark sound. In fact, Franke later recycled music from track 17, “Lurking Shadow” (ironic, eh?), for the Babylon 5 episode Endgame.

  1. 2 out of 4 Main Title (2:28)
  2. Big Country (2:55)
  3. Dramatic Ride (2:07)
  4. The Run (0:34)
  5. Getting Ready To Attack (2:21)
  6. Memories of Maria (1:40)
  7. The Attack (2:25)
  8. Will He Return? (1:34)
  9. Order this CD Quiet Ocean (1:10)
  10. The Battle Begins (0:30)
  11. The Victory (2:10)
  12. Hidden Tears (1:22)
  13. The Fight (1:16)
  14. Romance Become Pain (4:00)
  15. The Battle Continues (2:20)
  16. Mysterious Discovery (1:23)
  17. Lurking Shadow (6:05)
  18. The Shock (7:36)
  19. Dream Sequence (0:58)
  20. Doomer (4:13)
  21. Threatening (3:17)
  22. Quiet Ocean – reprise (1:10)
  23. Creepy (3:26)
  24. Steven Stole It (1:55)

Released by: Varese Sarabande
Release date: 1993
Total running time: 59:48

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