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1990 Non-Soundtrack Music T Toto

Toto – Past To Present

Toto - Past To PresentSo, whatever happened to the band that did “Africa”? Well, if you listen to the “new” tracks recorded by Toto for their best-of CD, you’ll probably answer, “Not nearly enough.”

Oh, don’t get me wrong. I used to like Toto’s stuff quite a bit. One can hardly go through a catalog of memorable songs from the 1980s without bringing up “Africa” and “Rosanna”, and “Hold The Line” is still a pleasantly non-guilty memory of late 70s rock for many. (“Georgy Porgy”, on the other hand, is still pretty much a guilty pleasure for those who actually like it. It’s not one of my favorites.) Toto’s right up there with Foreigner in my mind in the “good while it lasted” category.

And right up there with Chicago, too, for Toto has really slipped from its former glory. New vocalist – well, new as of ten years ago, and I haven’t heard a thing out of the band since – Jean-Michel Byron strips Toto of its edge, giving the group’s sound that glossed-over veneer of a one-great rock band that has descended into pre-fabricated, synth-heavy soft-rock schlock. The four new tracks on Past To Present hardly sound like Toto. Even when the old Toto lineup did ballads, such as the palatable “I’ll Be Over You” from their Fahrenheit album, the songs were sung by someone who still clearly had the pipes to do some larynx-ripping rock vocals. Not so here – Toto becomes as rockin’ as Chicago during the Peter Cetera epoch…which is to say, not rockin’ at all.

But those are only four songs. The rest of this album’s material is the classic stuff that put Toto on the map to begin with. The understated percussive textures and vocal harmonies of “Africa” stand up to anything on the charts today, the bluesy rock of “Rosanna” and “Hold The Line” have stood the test of time quite well, and my own guilty pleasure – 1988’s “Pamela” (which is admittedly a ripoff of the group’s own “Rosanna”) – still sounds 3 out of 4good to my ears. I liked Toto’s rock numbers better than their ballads, but even “I’ll Be Over You”, “99” and “I Won’t Hold You Back” are easier on the ears than the four tracks of neo-Toto.

Recommended for casual Toto fans – just remember to skip the new stuff.

Order this CD

  1. Love Has The Power (6:32)
  2. Africa (4:59)
  3. Hold The Line (3:57)
  4. Out Of Love (5:55)
  5. Georgy Porgy (4:08)
  6. I’ll Be Over You (3:50)
  7. Can You Hear What I’m Saying (4:47)
  8. Rosanna (5:35)
  9. I Won’t Hold You Back (4:59)
  10. Stop Loving You (4:29)
  11. 99 (5:12)
  12. Pamela (5:12)
  13. Animal (5:02)

Released by: Columbia
Release date: 1990
Total running time: 64:32

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1990 A Soundtracks Television

Alien Nation (TV series soundtrack)

Alien Nation soundtrackA month or three ago, I remember being a little annoyed at how similar most of the tracks sound on the soundtrack from Earth: Final Conflict. If that show’s producers wanted an example of how to make good, distinct music with an “alien” sound, they should’ve studied this gem from Fox’s critically-acclaimed, fan-adored and prematurely-canned science fiction series which is now a decade old.

It’s hard to believe that Matt and George graced our screens some ten years ago, but even so, the music – which was handed off between David Kurtz and the team of Steve Dorff and Larry Herbstritt for alternating episodes – is fresh, alive, and innovative. (The pilot episode, scored by Joe Harnell of V and Incredible Hulk fame, is not represented on this CD.)

Alien Nation did something that virtually no other SF series has done with its musical voice – it made very frequent use of a choral component singing in an alien tongue. No other show has ever come close to approaching this unique sound. A mixed choir gives many of this album’s tracks an otherworldly but organic flavor, swinging the pendulum from almost-Gregorian-chant-like subtlely to the near-religious-revelation of “The Ceremony” (a cue from Three To Tango). In suspenseful moments, the voices suddenly leap out of the background to nail the moment with a primal shriek.

There are a few more traditionally SF cues, such as A”stronomical Discovery” (from the eerie Joe 4 out of 4Menosky-written Contact episode) as well, but the producers of this album wisely made the decision to exploit Alien Nation’s otherworldly sound.

And even ten years down the road, this stuff doesn’t sound dated. Not unlike the sorely-missed series which used to feature this music.

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  1. Prologue and Main Title (1:43)
  2. Generation To Generation (0:40)
  3. Return To Tencton (3:54)
  4. One Hot Heinrick (0:52)
  5. Tenctonolian Mode Groove (1:39)
  6. Astronomical Discovery (1:14)
  7. Tailing A Wimp (0:43)
  8. Howdy, Pod (4:03)
  9. Alien Animal Activists (1:31)
  10. A New Beginning (2:28)
  11. In Your Life (2:25)
  12. Confrontation (0:53)
  13. The Monastery Three (1:05)
  14. George Entertains (1:12)
  15. The Ceremony (1:39)
  16. Touch Heads (1:25)
  17. Presents (1:32)
  18. George Warms Up (3:08)
  19. Resolution (1:07)
  20. Slag Pop (0:55)
  21. Spaced-Out Lover (1:37)
  22. Sneak Attack (1:05)
  23. Jenny’s Story (1:32)
  24. Sensuality (0:53)
  25. Cathy’s Story (2:35)
  26. The Alley (1:12)
  27. Memory Of An Old Game (2:16)
  28. George Gets It (0:47)
  29. Susan: Assassin (2:27)
  30. Proud Fathers (2:20)
  31. Prologue and Main Title reprise (1:43)

Released by: GNP Crescendo
Release date: 1990
Total running time: 53:11

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0-9 1968 1990 Film Soundtracks

2001: A Space Odyssey

2001: A Space OdysseySomehow trying to call this compilation of existing classical numbers an “original soundtrack” is silly, but that’s what they called it. This is not the Alex North original score, but rather a collection of classical and somewhat-more-modern-than-classical music which Stanley Kubrick used in his famed definitive science fiction film. The Ligeti tracks are always unnerving even without the accompanying visuals of the mysterious monolith and the stargate, and the “Blue Danube” waltz is…well …overused, quite frankly. The highlight of this compilation for me is the excerpt from “Gayane” (which I’ve sometimes seen spelled “Gayeneh”), played over the bleakly solitary scenes of life aboard the spaceship Discovery. Whether it 3 out of 4is the starkness of the music itself, or a kind of gestalt association of the music with the visuals, this music has always been incredibly powerful for me. A newer release of the 2001 soundtrack was recently issued, including a section of sound effects and HAL 9000 dialogue, but I have never “traded up” to the newer version, so I can’t vouch for its quality. But the music speaks for itself.

Order this CD

  1. Overture: excerpt from Atmospheres / Ligeti (2:47)
  2. Title Music: Also Sprach Zarathustra / R. Strauss (1:39)
  3. From Earth to the Moon: The Blue Danube / J. Strauss (9:49)
  4. TMA-1: Lux Aeterna / Ligeti (5:57)
  5. Discovery: Adagio from Gayane Ballet Suite / Kachaturian (5:13)
  6. Stargate: Requiem / Ligeti (5:58)
  7. Stargate II: Atmospheres / Ligeti (8:37)
  8. Transfiguration: Also Sprach Zarathustra / R. Strauss (1:39)

Released by: CBS
Release date: 1990
Total running time: 41:39

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1990 B Brent Bourgeois Non-Soundtrack Music

Brent Bourgeois

Brent BourgeoisThe only thing from this album that anyone seems to recall is the horrid remake of the Zombies’ “Time Of The Season”. That’s a pity, because there’s much better material here that never hit the radio airwaves, and none of it delves to the banality of the cover of the aforementioned ’60s tune. Most of the good stuff comes early on, such as the rough “The Real Thing”, bemoaning the lifestyle of the working father, and the western-tinged “Compromise” (which I suspect laments the fate of Bourgeois Tagg). Other high Rating: 4 out of 4points are the rocking “Wild Child” and “Can’t Feel the Pain”, a beautifully harmonized duet with Fleetwood Mac’s Christine McVie. Another highlight is a song which I’d best refer to here as “Out Of Luck” since that’s what the disc label itself calls it, though the jewel box track listings add the “s” word to the title. I highly recommend the whole album!

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  1. The Real Things (4:18)
  2. Compromise (3:57)
  3. Dare To Fall In Love (4:05)
  4. Can’t Feel the Pain (4:04)
  5. Scene of the Crime (5:07)
  6. Wild Child (4:17)
  7. Evil Run Riot (4:07)
  8. My Little Island (2:53)
  9. Time of the Season (3:49)
  10. Shit Out Of Luck (4:27)
  11. A Long Way From Home (4:57)

Released by: Charisma
Release date: 1990
Total running time: 46:01

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1990 J Jellyfish Non-Soundtrack Music

Jellyfish – Bellybutton

Jellyfish - BellybuttonIt’s really too bad Jellyfish split up, because from the sound of this album and its solitary follow-up, they could have amassed a following as the premiere pop group of the 1990s. These guys really enjoyed making their music, and their joy in doing so is evident just from listening to it. If you need proof, listen to the goofy song “Now She Knows She’s Wrong”. I remember hearing “The King Is Half-Undressed” several years ago on MTV and disregarding the entire song until the bridge, which consists of some absolutely entrancing Beatlesque-going-on-ELO harmonies, and it turns out the rest of Bellybutton was at least as good as that one song, if not better. I have to single out “The Man I Used To Be”, “Bedspring Kiss” and especially the sobering “She Still Loves Him” – about a woman trapped in an abusive relationship – for special 4 out of 4praise. These guys could make some music. Sadly, after one more album, Jellyfish broke up, though some of its members are still active, even if their output is somewhat obscure. I highly recommend this album to you, and it’s hard to miss – it’s got the ultra-colorful, trippy cover featuring the band members looking for all the world like they’re auditioning for a live-action movie about the Smurfs!

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  1. The Man I Used To Be (4:34)
  2. That Is Why (4:16)
  3. The King Is Half-Undressed (3:47)
  4. I Wanna Stay Home (4:06)
  5. She Still Loves Him (4:32)
  6. All I Want Is Everything (3:44)
  7. Now She Knows She’s Wrong (2:36)
  8. Bedspring Kiss (5:03)
  9. Baby’s Coming Back (2:57)
  10. Calling Sarah (4:03)

Released by: Charisma
Release date: 1990
Total running time: 39:38

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1990 Jeff Lynne L Non-Soundtrack Music

Jeff Lynne – Armchair Theatre

Jeff Lynne - Armchair TheatreIt’s a crime that this album, Lynne’s first solo effort after his ELO years and the Traveling Wilburys, wasn’t promoted better, because this album is much better than even most of the favorable reviews gave it credit for. With a comfortable distance between his current sound and the days of ELO, Lynne weaves an easily listenable combination of his thick trademark harmonies, the occasional string section, his more laid-back Wilburyish tendencies, and even a few surprises like the Indian percussion on “Now You’re Gone”. His ability to come up with a catchy and unpredictable combination of melody and harmony is as strong as ever, and the much more acoustic feel of this album (in comparison to ELO or even George Harrison’s Cloud Nine album) benefits from Lynne’s sharp production. “Lift Me Up” and “Every Little Thing”, the two 4 out of 4singles which were lifted from the album and not given nearly enough airplay, are probably the strongest tunes here, but there are so many to choose from; if any one number falls short, it is the very short “Save Me Now”, an attempt at a simple, acoustic environmental-awareness anthem with some of the most laughably simplistic lyrics Lynne has penned to date. Otherwise, this is a shoe-in for my Damn Near Perfect Album List.

Order this CD

  1. Every Little Thing (3:41)
  2. Don’t Let Go (3:00)
  3. Lift Me Up (3:36)
  4. Nobody Home (3:51)
  5. September Song (2:57)
  6. Now You’re Gone (3:57)
  7. Don’t Say Goodbye (3:09)
  8. What Would It Take (2:40)
  9. Stormy Weather (3:42)
  10. Blown Away (3:29)
  11. Save Me Now (2:39)

Released by: Reprise
Release date: 1990
Total running time: 36:41

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1990 I Non-Soundtrack Music Ralf Illenberger

Ralf Illenberger – Heart & Beat

Ralf Illenberger - Heart & BeatThough this album was my introduction to Ralf Illenberger, it pales in comparison to his other works. There seemed to be a conscious attempt with Heart & Beat to veer toward a more rock-influenced sound, and while Ralf can manage that style of playing as deftly as he can jazz, it’s such a disappointment to hear him trying to step into that genre. Still, there are good tunes on here.

rating: 2 out of 4

  1. Heart & Beat (4:52)
  2. Love Bird (3:43)
  3. Forrest (4:46)
  4. Fun Tango (4:50)
  5. A Sunday At Home (4:00)
  6. A Heart Rocks (3:28)
  7. Eastern Boardwalk (5:52)
  8. Order this CD Sign Of Horus (3:36)
  9. Marimba (Rain Dance) (2:58)

Released by: Narada
Release date: 1990
Total running time: 38:05

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1990 Soundtracks T Television

Twin Peaks – music by Angelo Badalamenti

Twin PeaksThe soft-pedaled, murky, mysterious jazz-like music that accompanied this 1990 TV series perfectly suited the murky, weird and often just plain ridiculous setting of the show. But does it make for a good soundtrack? Well…maybe not. A lot of the material is repetitive, but those who were closely attached to the show may find it to be of more nostalgic value. My recommendation? Go instead and get Julee Cruise’s album Floating 3 out of 4Into The Night, which has the theme song as well as more memorable music than the Twin Peaks album itself. For distinctive and interesting music, the movie derived from the TV show was better (though that’s about the only respect in which the movie was better than its TV parent).

Order this CD

  1. Twin Peaks Theme (4:45)
  2. Laura Palmer’s Theme (5:08)
  3. Audrey’s Dance (5:15)
  4. The Nightingale – with Julee Cruise (4:54)
  5. Freshly Squeezed (3:48)
  6. The Bookhouse Boys (3:24)
  7. Into the Night – with Julee Cruise (4:42)
  8. Night Life in Twin Peaks (3:23)
  9. Dance of the Dream Man (3:39)
  10. Love Theme from Twin Peaks (4:34)
  11. Falling – with Julee Cruise (5:18)

Released by: Warner Bros.
Release date: 1990
Total running time: 48:50

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1958 1990 S Soundtracks Television

The Carl Stalling Project, Volume 1

The Carl Stalling Project, Volume 1How can anyone resist the classic sound of the original Looney Toons and Merrie Melodie cartoons? Carl Stalling’s distinctive style changed the way pictures were put to music forever, and created an instantly recognizable repetoire unto itself. You’ve heard a lot of these tracks already, but they were in the background, part of the atmosphere for Bugs, Daffy, Elmer Fudd or Marvin the Martian. But the cues are unmistakable. Most of them do not contain any dialogue and are excellent original recordings, but a few of 4 out of 4them have the sound effects and character voices intact. My favorites on this album are “Powerhouse and other cuts from the 1950s” and the “Anxiety Montage” – the latter of which contains almost every musical backing for any imaginable exciting situation ever seen in a Bugs Bunny cartoon. This is a must-have!

  1. Putty Tat Trouble Part 6 (1:20)
  2. Hillbilly Hare (4:22)
  3. Early WB Scores – The Depression Era (6:02)
  4. The Good Egg (4:25)
  5. Order this CD Various Cues from Bugs Bunny Films (5:07)
  6. There They Go Go Go (5:27)
  7. Stalling Self-Parody: music from Porky’s Preview (5:26)
  8. Anxiety Montage (6:11)
  9. Stalling – The War Years (3:50)
  10. Medley – Music for a Pack of Hungry Cannibals (5:00)
  11. Carl Stalling with Milt Franklyn in session (7:14)
  12. Speedy Gonzalez Meets Two Crows from Tacos (5:33)
  13. Powerhouse and other cuts from the early 50s (6:15)
  14. Porky in Wackyland / Dough for the Dodo (5:44)
  15. To Itch His Own (5:54)

Released by: Warner Bros.
Release date: 1990
Total running time: 77:50

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1990 Artists (by group or surname) Non-Soundtrack Music Paul Simon S

Paul Simon – Rhythm Of The Saints

Paul Simon - Rhythm Of The SaintsThough the quality of the songs on this album vary, I love this album. In some places – the parts I tend to like best – it sounds like Paul Simon borrowing some of Peter Gabriel’s stylistic maneuvers. Specifically, this entire album is awash with a constant flow of Afro/Latin percussion, a sound I almost can’t get enough of. Even when it seems to be clipping along at a fast pace, there’s something about the sound of massed percussion, the almost-spiritual sense that every sound is being produced by a human being with his or her own intrinsic strengths and flaws of timing, and there’s not a computer anywhere in the room…there’s a very organic ebb, flow and undulation that really affects me. And I could go on from there, comparing it to the similar experience of hearing massed voices or the instruments in an orchestra, but I’ll rein this in and bring it back to Paul Simon. The album starts out with its best-known single, “The Obvious 3 out of 4Child”, which is a typical Simon acoustic number given a mind-boggling twist with some raucous drumming. I have to single out “The Cool, Cool River” as the album’s best song, however – the lyrics, the music, the percussion, and just the intangible feel are unforgettable, possibly Simon’s best in a long time. Highly recommended.

Order this CD

  1. The Obvious Child (4:10)
  2. Can’t Run But (3:37)
  3. The Coast (5:03)
  4. Proof (4:40)
  5. Further To Fly (5:39)
  6. She Moves On (5:03)
  7. Born At The Right Time (3:48)
  8. The Cool, Cool River (4:32)
  9. Spirit Voices (3:56)
  10. The Rhythm of the Saints (4:11)

Released by: Warner Bros.
Release date: 1990
Total running time: 44:41

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