First things first: I’m listening to this soundtrack without having seen the movie; the track list might spoil something for you, but I won’t. John Williams is still one of those “get the soundtrack sight unseen/unheard” composers for me, and to even be listening to this is a surprise. Wasn’t he announcing his retirement from film scoring not that long ago? What happened? Did Mr. Burns (or Steven Spielberg) tap the “don’t forget, you’re here forever” sign on the wall?
But if the result is Indiana Jones And The Dial Of Destiny, I can make peace with Williams’ quick punch-of-the-undo-button on his retirement announcement. Like I said, I have no idea what to expect from the movie itself; reviews have been…colorfully mixed…at best. And honestly, I’m not sure how high my personal bar is set after Kingdom Of The Crystal Skull. I’m not sure I’ve even set up a bar, I just want a more dignified exit for Indy than what Han Solo got. In some respects, Williams’ music for The Dial Of Destiny does hearken back to The Force Awakens and The Last Jedi – there are major action setpieces that rank among Williams’ Best, but for the most part, we’re getting a somewhat more contemplative take on the ongoing adventures.
The lengthy prologue is a good reminder that Williams’ superpowers extend to building tension and dread, not just big action scenes. It’s followed by “Helena’s Theme”, which is also reprised at the end of the album (and as a standalone single) with solo violin by Anne-Sophie Mutter; this initial appearance is a more widescreen orchestral version highlighting thematic material that turns up later in the score, and it’s a typically gorgeous Williams theme. “Germany 1944” is the first major action piece on the album, and the first time that Indy’s theme shows up on the album as well, and – as intended – it’s a rewind to Indy’s glory days in the ’80s. Never mind the de-aging CGI, Williams is doing the heavy lifting here.
“To Morocco” is a musical travelogue that leans heavily on “Helena’s Theme”, while “Voller Returns” builds more tension. “Auction at Hotel L’Atlantique” has some moments of whimsy leading up to action, providing a good segue into the next big action piece, “Tuk Tuk in Tangiers”. “To Athens” spins the “Helena’s Theme” motif into something more adventurous, and joins it with Indy’s theme. “Perils Of The Deep” is more contemplative and slightly menacing; “Water Ballet” picks up that menace and runs with it, with some intriguing sounds that are clearly the movie’s big “horror” scene. “Polybius Cipher” and “The Grafikos” pour on the mystery and the swashbuckling, both with Indy’s theme and suggestions of Helena’s theme. “Archimedes’ Tomb” continues the mystery, while “The Airport” and “Battle Of Syracuse” are more action oriented.
It all comes together in “Centuries Join Hands” and “New York 1969”, the latter of which closes things out with the fullest statement of Indy’s theme to be found on the album. (It’s a given that there’s probably quite a bit more music in the movie than we’re getting here, a quandary to be solved by an adventurous soundtrack specialty label at some point in the future, hopefully before the day someone decides that CD reissues belong in a museum.)
Even if the movie isn’t the return to form that everyone is, deep down, hoping it is, John Williams’ score is the real marvel of time travel going on with this movie. It’s a period piece within a period piece: a rewind to his 1980s-style musical accompaniment for characters of an even-more-bygone era. Whether or not the movie successfully delivers that, the soundtrack doesn’t let up, and doesn’t let the listener down. Any five-minute stretch of this score does more to proclaim that Indiana Jones is back – and does more to make you believe it – than the best trailer ever could. And that’s probably why no one’s letting John Williams retire.
- Prologue to Indiana Jones and the Dial of Destiny (06:01)
- Helena’s Theme (03:30)
- Germany, 1944 (04:43)
- To Morocco (03:21)
- Voller Returns (03:06)
- Auction at Hotel L’Atlantique (02:59)
- Tuk Tuk in Tangiers (03:36)
- To Athens (02:18)
- Perils of the Deep (02:31)
- Water Ballet (04:53)
- Polybius Cipher (02:39)
- The Grafikos (04:40)
- Archimedes’ Tomb (03:02)
- The Airport (04:46)
- Battle of Syracuse (02:51)
- Centuries Join Hands (03:02)
- New York, 1969 (04:17)
- Helena’s Theme (For Violin and Orchestra) (04:59)
Released by: Disney Music
Release date: June 28, 2023
Total running time: 1:07:06
