Hey, remember that crazy turn that The Book Of Boba Fett took when it suddenly went all “we interrupt this broadcast to bring you an important message from the Mandalorian”? I’ll forgo my musings on that perhaps being why we’ve never gotten a season two, and just talk about the music.
Since this second volume of score from The Book Of Boba Fett covers the fourth through seventh episodes, the sudden shift from Boba Fett’s narrative to Mando’s is precisely where we pick up. It sounds more like music from The Mandalorian at this point, but the interesting thing happening here is that we’re getting Mando music a la Joseph Shirley. It doesn’t sound terribly different from Ludwig Goransson’s style, but considering that Joseph Shirley graduated from scoring this series to scoring the third season of The Mandalorian, it’s tempting to think of it as an audition piece. A jaunty pace creeps into the proceedings in “Faster Than A Fathier” as Mando tries out his new ship, and that tone becomes triumphant in “Maiden Voyage” as the space pedal is duly applied to the space metal. “It’s A Family Affair” shifts to a more pastoral – and more John-Williams-esque – feel as Mando goes to pay Grogu a visit at Skywalker’s School for Tiny Jedi. The Williams influence becomes overt in “Life Lessons”, complete with quotation of Williams’ themes for Yoda, Luke, and the Force itself. Like Goransson before him, Shirley proves that while he’s comfortable making the sound of Star Wars more percussive and electronic, he’s equally adept at layering in the classics of the Star Wars playbook very authentically.
Shirley also plays nicely with Goransson’s themes, delivering a more playful rendition of the piece last heard when Luke rescued Grogu at the end of The Mandalorian’s second season (a piece that was positively mournful in its original application). The setting returns to Tatooine for “From The Desert Comes A Stranger”, and stays there as much of the rest of the album concentrates on music from the final episode. Fett’s theme proper doesn’t come back with a vengeance until “Battle For Mos Espa”, and it remains at the forefront in “A Town Beiseged” and “Final Showdown”. With “A Town At Peace”, things calm down considerably and bring us to the end of the series.
The four tracks at the end of the album feature music from earlier in the series, with some of the show’s key scenes that mysteriously didn’t make the first album appearing here, including “The Reign of Boba Fett”, the six-plus-minute “Train Heist”, and “The Bonfire”. There’s also a source music track, “Hit It Max”, played by the remarkably bulletproof Max Rebo and his band – did he survive that bombing, or did his luck only get him as far as surviving the battle on Jabba’s sail barge? – which is no “Lapti Nek”, but at the very least I like it better than the number that replaced “Lapti Nek” in the Special Editions.
I really liked The Book Of Boba Fett while it was about, well, Boba Fett. It’s a pity that it didn’t get to even attempt to be its own thing for very long, especially with Temuera Morrison willing to don the armor again. But even if the series and its central character went no further than this, Joseph Shirley proved himself more than capable of providing music for wearers of Mandalorian armor everywhere.
- The Underworld (3:19)
- A Cautionary Tale (3:12)
- Faster Than A Fathier (4:59)
- Maiden Voyage (1:21)
- It’s A Family Affair (3:48)
- Life Lessons (3:56)
- A Gift (2:46)
- Teacher’s Pet (6:26)
- From The Desert Comes A Stranger (2:19)
- Two Paths Diverged (2:51)
- In The Name Of Honor (3:24)
- Battle For Mos Espa (2:30)
- A Town Besieged (6:46)
- Final Showdown (4:13)
- Goodnight (2:32)
- A Town At Peace (2:22)
- The Reign Of Boba Fett (1:22)
- Hit It Max (2:01)
- Train Heist (6:16)
- The Bonfire (1:41)
Released by: Disney Music
Release date: February 11, 2022
Total running time: 1:07:56
