Tag: David Bell

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2022 Film Music Reviews S Soundtracks Soundtracks by Title Star Trek Television Year

Star Trek Collection: The Final Frontier

2 min read

Order this CDI hit peak Star Trek superfandom in the late ’80s, just in time for the 1990s and the sudden rapid expansion of Star Trek as a genuine media franchise to kick in. There were so many shows on TV. A good few episodes of these various series had really good music. And the music…was nowhere to be found commercially. Star Trek: The Next Generation wound up with four individual CD releases through the end of the 1990s, while Deep Space Nine and Voyager merited one each, in each instance with (most of) the score from their pilot episodes. That pattern continued with the pilot episode of Enterprise in 2001, and then…it all went silent. Being in my early 20s, I didn’t get it. It seemed like GNP Crescendo had a license to print money – or at least a license to get their hands of copious amounts of my money – if only they’d keep releasing more Star Trek music. (I know nothing of musicians’ unions and re-use fees at the time, I just knew what I liked.) My attention drifted to other franchises that seemed to know full well that their fans wanted more music, not less – Babylon 5, Battlestar Galactica, the new Doctor Who… and then a magical thing happened in the late aughts. Suddenly Paramount seemed more open to the idea of mining its musical vaults. Long-out-of-print Star Trek movie soundtrack albums suddenly had newly expanded editions. On the television front, things went from famine to feast as massive box sets chronicled either the entire musical oeveure of the 1960s series, or the entire body of work of a beloved single Next Generation composer. And then all of the television series racked up not just one, but two 3-or-4-disc box sets covering music from their entire broadcast run. … Read more

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2000 Compilation S Soundtracks Star Trek Television

The Best of Star Trek, Volume Two

5 min read

Order this CDThis new collection of previously unreleased suites from various episodes of all of Star Trek’s live-action incarnations includes some of the most requested music from all of the series – and a few extras as well.

The classic series is easily the show best represented by this CD, with music from The Corbomite Maneuver, Balance Of Terror, What Are Little Girls Made Of? and a “lounge” version of the show’s main theme which was used in a small number of episodes as background source music. Though the Corbomite and Balance scores have been re-recorded in part on past releases by Varese Sarabande, it’s always nice to hear the original recordings rolled out and remastered. They sound great.

Deep Space Nine is represented by a suite from the fourth season opener, The Way Of The Warrior, which introduced Worf as a permanent feature of the DS9 landscape. The music is big and bold…and, by and large, lifted directly from the music of Star Trek: Generations. Go ahead – listen to the “Final Fight” track on the Generations CD and then the Way Of The Warrior suite, back-to-back. The similarities are stunning. Not to say that it’s bad music…just that we’d heard it before. I would much rather have heard some music from season two’s three-part epic premiere.

Also included in the DS9 section is the televised mix of the main theme from seasons 4-7 (a previous version, heard on the original Best Of Star Trek CD in 1996, featured more percussion than the version actually used to open each episode), as well as Nana Visitor’s version of “Fever” from His Way (the first Vic Fontaine episode). The latter is quite nice – Nana’s no Shirley Bassey, but “Fever” is supposed to be moaned and growled more than it’s sung anyway. It’s a nice companion to Jimmy Darren’s album of tunes performed by Vic on DS9.

The DS9 suite is also plagued by another problem – an incorrect table of contents in the CD’s liner notes booklet which omits a track of Warrior score and adds one more track of music from the Voyager suite than actually appears on the CD. The track list below is the correct track list.

Voyager is also represented by an uncharacteristically bombastic score, David Bell’s music from The Bride Of Chaotica. Incredibly atypical of the most recent Trek spinoff’s usually somnolent scoring, Bell’s music is an over-the-top homage to Flash Gordon-style pulp sci-fi radio epics of yesteryear. Some of the most interesting moments in the Chaotica score occur when the music shifts gears abruptly between the retro-40’s music and Bell’s more frequently-used style. Sadly, in these few very brief “modern” passages, one hears – more or less – the entire gamut of Bell’s typical Voyager score, as he too has fallen victim to replicating his own work under the constraints of time and – in all likelihood – the limited inspiration provided by the average Voyager episode.

The album does at least pick a good note on which to close, however: several minutes of music from Dennis McCarthy’s score from the Next Generation finale, All Good Things. This score, though it too features some musical repetition, features some of the best moments from the last episode. The “Saved Again” cue accompanies the memorable scene of the refitted Enterprise saving the collective butts of the crew of Beverly Crusher’s doomed U.S.S. Pasteur, and the cryptically titled “I Have A Gun” is the wonderful final shot of the episode, in which the crew’s last poker game dissolves into the Enterprise’s flight into an alien sunset, set to the strains of Alexander Courage’s Star Trek fanfare, bringing things nicely full-circle. (Shouldn’t this track have been called “The Sky’s The Limit”?)

There’s one cue I wish they’d included though: Picard’s first view of the Enterprise as Tasha ferries him to the ship for the first time via shuttle.

Overall, the second volume of The Best Of Star Trek will satisfy fans of nearly every one of the 4 out of 4show’s incarnations, particularly fans of the classic series that started it all. Here’s hoping that it won’t take four more years for volume three. There’s enough unreleased Trek music to merit a yearly release (hell, there’s enough unreleased music to fill a monthly CD magazine, but the economics of that kind of venture would be nightmarish for both label and consumer, so I’d settle for a yearly release).

  1. Theme from Star Trek – string arrangement (0:51)
  2. The Corbomite Maneuver (4:29)
  3. Balance Of Terror (3:42)
  4. What Are Little Girls Made Of? (4:39)
  5. In Chapel (1:18)
  6. Theme from Star Trek – lounge mix (1:39)

    Suite from The Way Of The Warrior

  7. Theme from Star Trek: Deep Space Nine – season 4 (1:55)
  8. Dry Run (1:31)
  9. Medieval Harp source (2:57)
  10. Worf (1:35)
  11. “Yo!” (4:08)
  12. Worf II (1:47)
  13. Fever (2:01)

    Suite from The Bride Of Chaotica

  14. Theme from Star Trek: Voyager (1:47)
  15. Begin Chapter 18 (4:21)
  16. Presenting…Arachnia (3:07)
  17. Chaotica Is Defeated / Distortions (3:43)
  18. Chaotica’s Last Words / The End (1:05)

    Suite from All Good Things…

  19. Theme from Star Trek: The Next Generation – season 2 (1:40)
  20. Here Comes The Judge II / To The Rescue (5:59)
  21. Primalosity (2:29)
  22. Courage (3:31)
  23. Saved Again (2:26)
  24. I Have A Gun (0:52)

Released by: GNP Crescendo
Release date: 2000
Total running time: 63:42

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