The Don Davis Collection, Volume 1
In 2004, the BBC aired an ambitious miniseries combining a little bit of “hard” sci-fi with an attempt to impart information to and educate the audience, framing it as a reality-TV-tinged mockumentary about a fictional crewed mission through the solar system. Keeping in mind that this was a year before the launch of 21st century Doctor Who, the resulting two-night event, Voyage To The Planets, was quite possibly the BBC’s most impressive sci-fi effort to that date (and thanks to a co-production deal with the Discovery Channel in the U.S., it was retitled Space Odyssey: Voyage To The Planets and shown Stateside as well). The mention of Doctor Who is not accidental; quite a few personnel associated with Voyage To The Planets, up to and including writer/director Joe Ahearne, played major roles early in the revival of Russell T. Davies’ version of Doctor Who.
And somehow – in between sequels to The Matrix, when his visibility was at a career high – Voyage To The Planets landed American composer Don Davis, and gave him enough resources to have at least a few live players, which he used to maximum advantage to keep an otherwise synthesized score from having too much of an icy, electronic sheen. The result is a score – unreleased for 16 years – that does have some hints of Davis’ Matrix stylings, but leans much more heavily on the kind of noble, give-the-French-horns-lots-of-whole-notes-in-major-keys feel that has powered many a space exploration epic. With Davis having to work to disguise just how small his ensemble of live players is, there are few opportunities for Voyage To The Planets to be as “big” as, say, James Horner’s Apollo 13 score, but it still successfully conveys the nobility and sense of wonder that the show’s fictional space mission demands.
The “Walking With Spacemen Theme” that kicks off the album is the backbone of the score, returning as a motif throughout (and giving a nod to the early working title of the project, which was initiated by the producers of Walking With Dinosaurs). Various locales visited by the crew of the Pegasus – Venus, Mars, the moons of Jupiter, the rings of Saturn, and beyond – receive their own thematic treatments, tipping their hand as to the relative degrees of how inhospitable they are to human life. These tend to be the passages that get the closest to the dissonance of Davis’ scores for the Matrix trilogy, but the material in between returns to a more heroic default setting. (One of the most spectacular examples of Davis more dissonant “we’re in trouble” music arrives in “Forbidden Rays and Asteroid”, which may also be the peak of his skillful arrangements successfully disguising the live-player-to-synth ratio.)
It’s a wonderful score overall, and an unexpected surprise so many years after the fact. (This is also a testament to the lovely niche material that can be unearthed by niche and boutique labels like Dragon’s Domain, balancing out the much more mainstream selections offered by the larger soundtrack labels.) Voyage To The Planets is seriously obscure stuff by U.S. standards – following its one-and-done airing on Discovery, the premise of a mockumentary-with-flashbacks mission through the solar system was sold to ABC, where it was expanded with more fiction than science and became a bit of a soap opera in the 2009-2010 season, a time when ABC was trying to pattern nearly everything on its schedule after Lost. (For what it’s worth, Dragon’s Domain, Defying Gravity had an interesting score too, even though the show itself was a big letdown.) To get Voyage’s full, wonderful soundtrack after all this time was a true treat – it’s very much worth a listen, whether you’re familiar with the miniseries or not.
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- Walking With Spacemen Theme (2:22)
- Main Titles and Apollo (2:38)
- Take Off and Venus (5:25)
- Hot Planet Venus (4:15)
- Time and Space (2:04)
- Mars (3:30)
- Flare and Storm Patrol (3:43)
- Forbidden Rays and Asteroid (4:14)
- Dispatching and Jupiter Turn (2:09)
- G-Force (2:46)
- Moons of Jupiter (3:08)
- Zoe’s Trouble (5:15)
- Europa (1:52)
- Pearson’s Peek (3:19)
- Deep Space Despair (4:26)
- Burial and Resuming Work (1:40)
- The Planet of Peace (2:18)
- Pluto People (5:06)
- The Comet (2:55)
- Comet Stroll and Danger (2:55)
- The Calamity on the Comet (4:06)
- Happy Homecoming and Finale (3:43)
Released by: Dragon’s Domain Records
Release date: September 17, 2020
Total running time: 1:13:49
This would be a four-star collection, except that a bizarre choice of Chattaway material makes the composer sound sleepy, when a different selection of episodes would’ve yielded much better music (Chain Of Command is very conspicuous by its absence). And again, La-La Land Records has found itself battling the age-old perception of TNG’s music as synthesized dreck – after an impressive initial burst of sales (including the set’s debut at the 2011 San Diego Comic Con), much of the inventory remained in the warehouse, casting doubt on the label’s promise to mine the Deep Space Nine and Voyager music vaults. This nicely-prepared collection didn’t deserve that fate, as a lot of it (chiefly discs 1 and 3) is better than even I remembered.