Tag: Paddy Kingsland

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The Changes – music by Paddy Kingsland and the BBC Radiophonic Workshop

6 min read

Order this CDOriginally released for Record Store Day 2018 and then given a general release in digital form, this album is the complete soundtrack composed by Paddy Kingsland (Hitchhiker’s Guide To The Galaxy, Doctor Who) of the BBC Radiophonic Workshop for the 1975 post-apocalyptic series The Changes. Filmed in 1973 but held for two years, as if the BBC thought that the political and societal troubles that might coincide with the show’s subject matter would fade with time, The Changes is an evergreen. It’s tangibly a product of the early 1970s, and yet it has aged like fine wine. And so has its music.

At least on paper in the BBC Enterprises sales material, The Changes is a children’s adventure series, but hey, you know the drill: much like ’70s contemporaries like Children Of The Stones and Pertwee/Letts/Dicks-era Doctor Who, there’s a lot more to it than that. The story involves a piercing sound that suddenly renders all machinery inert, a “bad sound” that somehow traveled through the electrical wires criss-crossing the U.K. Now everyone – including the show’s lead character, adventurous pre-teen Nicky – has an aversion to “the bad wires” and to anything mechanical, be it a car, a television, a radio, or a toaster oven. The world is plunged back into a dark age of superstition, something that surely could only happen in a speculative fiction piece like this, and yet Nicky knows that the world used to be different – and better – and tries to find out what happened, with the help and protection of a band of traveling Sikhs, who find themselves unwelcome in a world that has suddenly grown paranoid of progress, outsiders, and anything different. Who would do this, what would they stand to gain from it, and can it be reversed? Yes, definitely just fiction.

Kingsland’s later work with the Radiophonic Workshop includes both the radio and television incarnations of the Hitchhiker’s Guide To The Galaxy, and almost ridiculously memorable episode scores for Doctor Who (among them Logopolis, Castrovalva, Full Circle, Mawdryn Undead, and others). One of the things that makes him the most musically distinctive voice in the Workshop is that he never relies entirely on electronic sound. He has a gift for instantly-catchy earworm melodies, almost-funky basslines, and marrying purely electronic sounds with well-judged acoustic elements. That’s his style in a nutshell, and it’s dialed up to 11 for The Changes.

The main theme, a compact morsel of percussion, synths, a succession of dissonant chords, and a funky synth-clavinet line, is practically the least memorable thing on the album. The second track establishes a world-weary theme for Nicky as she sets out on her travels. The series is something of a travelogue, filmed entirely on location (and entirely on film, a rarity for the BBC in the early ’70s), and the music rises to meet that challenge. There’s time for the various themes to breathe and develop, and incidentally, that makes the album a great listen as well. There are some short tracks, sure, but for the most part the music is given ample time to explore themes and their variations. The family of Sikhs who accompany Nicky arrive in “A Special Kind Of People” with added percussion and a lovely persistent sitar presence.

A combination of the Sikh theme and Nicky’s traveling theme becomes the show’s end credit music, which frequently changed throughout the ten episodes as new plot developments arose. Unique to the various formulations of the end credit music is a heraldic, noble brass statement that concludes in a troublingly unresolved chord progression, sort of an unspoken musical “to be continued” – and when I mention these various instruments, they’re the real deal, not synthesized approximations. Kingsland’s use of synths throughout justify the Radiophonic Workshop’s name on the cover, but this album is more Kingsland unleashed than it is purely radiophonic. All of it is anchored by Kingsland’s almost supernatural ability with a bassline, which simultaneously provides some propulsion and rhythm and opens up interesting harmonics with the other instruments.

4 out of 4When I binge-watched The Changes for the first time sometime around 2016, I strongly suspected that I was hearing Paddy Kingsland’s greatest musical achievement with the BBC Radiophonic Workshop, even though the rest of the sound mix was competing for prominence at times. Hearing this album without the rest of the show’s sound mix and dialogue strongly confirms that suspicion. Even if you’ve never heard of the show for which this music was made, I give this soundtrack a hearty recommendation. It stands up very well to listening without the context of the TV series, and between this and his handful of other memorable music highlights, I’ll never understand how Paddy Kingsland managed to avoid a huge career and worldwide recognition. Everything he’s done – including The Changes’ fascinating fusion of synths, electric bass, and layers of ethnic instrumentation – has stuck with me for a very long time, and the soundtrack as a standalone experience was long overdue.

By the way, the noise from the “bad wires” – three piercing, discordant minutes’ worth of it! – is included as a bonus track, but in controlled laboratory testing, it failed to incite me to smash up the electronic device from which it emanated. So there’s that, at least.

    Episode 1: The Noise
  1. The Changes Opening Titles (0:35)
  2. Home Alone (Nicky’s Theme) (3:05)
  3. Everybody’s Gone (2:07)

    Episode 2: The Bad Wires

  4. A Note On The Door (1:14)
  5. A Special Kind Of People (3:34)
  6. Your Ways Are Not Our Ways (1:08)
  7. The Changes Closing Titles (56″ Version) (1:01)

    Episode 3: The Devil’s Children

  8. The Bad Wires (0:58)
  9. The Barns (1:36)
  10. Life On The Farm (1:45)
  11. The Devil’s Children (2:17)
  12. The Village Court (0:56)

    Episode 4: Hostages!

  13. The Forge (1:34)
  14. Hostages! (4:48)
  15. Rescue (5:43)
  16. The Changes Closing Titles (67″ Version) (1:10)

    17. Episode 5: Witchcraft

  17. The End Of The Rescue (0:30)
  18. A Farewell (0:43)
  19. A Journey, And Arrival at Henley Farm (3:21)

    Episode 6: A Pile Of Stones

  20. Sentence Of Death (3:07)
  21. Leaving Shipton (3:09)

    Episode 7: Heartsease

  22. Heartsease (4:09)
  23. At Purton Bridge (1:10)
  24. The Changes Closing Titles (63″ Version) (1:07)

    Episode 8: Lightning!

  25. After The Bridge (1:59)
  26. Michael And Mary (2:09)

    Episode 9: The Quarry

  27. Necromancer’s Weather (3:19)
  28. The Quarry (2:46)
  29. Mr Furbelow (0:59)
  30. Qui Me Tangit, Turbat Mundum (2:39)
  31. The Changes Closing Titles (48″ Version) (0:53)

    Episode 10: The Cavern

  32. Into The Rock (2:59)
  33. The Cavern (1:53)
  34. Merlinus Sum (0:19)
  35. It’s All Over (1:40)
  36. Everything’s Alright Again (End Titles) (0:49)

    Bonus Tracks

  37. Nicky’s Theme (Stereo Demo) (1:35)
  38. Theme 2 Demo (1:47)
  39. The Noise (3:10)

Released by: Silva Screen Records
Release date: April 20, 2018
Total running time: 1:17:47

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Categories
2017 Artists (by group or surname) Non-Soundtrack Music R Radiophonic Workshop

The Radiophonic Workshop: Burials In Several Earths

3 min read

The Radiophonic Workshop is back, minus the BBC. If the band’s retinue of veteran analog electronic music pioneers can keep turning out original material like this, it might result in a new generation of fans wondering why they were slumming it for the BBC for so long. The Radiophonic Workshop is made up of former members of the storied BBC Radiophonic Workshop, an experimental electronic music & effects department of the BBC founded in the late 1950s to provide unique music and sounds for the steadily growing output of the BBC’s radio and television channels. The work, in those days before samplers and digital synthesizers, was grueling; membership in the BBC Radiophonic Workshop was always fairly limited because you had to love what you were doing, working with oscillators a beat and tone generators and analog reverb and tape loops. The Workshop remains, perhaps unjustly, best known for the original Doctor Who theme music dating back to 1963, but its body of work spread so much further than that…until the BBC closed the Workshop’s doors in the 1990s.

But its members, it turns out, weren’t averse to workshopping their unique sound without Auntie Beeb paying the bills. Having spent over a decade as a touring group recreating their sound the old-fashioned way for audiences who already knew their work and audiences only just discovering them, the Radiophonic Workshop has now gifted us with a new album with the unmistakable sound that gained them a following in the 1960s and ’70s. Is it abstract? At times, yes – about 13 minutes into the lead track, you’d swear they were trying to make a musical instrument out of the sound of the Liberator’s teleport from Blake’s 7. Everything from white noise to whalesong crops up. But what’s amazing is how tuneful it is at times. Echoing piano is a constant presence, along with actual guitar work (Paddy Kingsland, whose Doctor Who and Hitchhiker’s Guide scores in the early ’80s were ear-wormingly hummable, take a bow). There are a few places where a groove emerges from the soundscape and the Radiophonic Workshop proceeds to rock out.

Not a bad feat considering that some of these gentlemen are past what many touring musicians would consider retirement age.

4 out of 4The real fascination of Burials In Several Earths is that it’s electronic music created in a way that has almost been lost to time and the march of technology. That description doesn’t really do it justice though – that sounds more like the description of a tech demo. The Radiophonic Workshop is making actual music this way, delighting audiences on stage, and bolting new chapters onto a legacy of ridiculously hummable short tunes from a bygone age. At times ethereal, at times exciting, the one thing Burials isn’t is boring.

Order this CD

  1. Burials In Several Earths (18:58)
  2. Things Buried In Water (22:01)
  3. Some Hope Of Land (25:15)
  4. Not Come To Light (3:58)
  5. The Stranger’s House (11:23)

Released by: Room 13
Release date: May 19, 2016
Total running time: 1:21:35

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Categories
2013 D Doctor Who Soundtracks Television

Doctor Who: The 50th Anniversary Collection

13 min read

25 years ago, if someone had been asking for a go-to album for casual fans of the Doctor Who theme tune and its accompanying incidental music, I would have somewhat reluctantly pointed them toward the Doctor Who 25th Anniversary Album on BBC Records; reluctantly on the grounds that while it did indeed include the major iterations of the theme tune, its incidental music was drawn entirely from Sylvester McCoy’s first two seasons, largely scored by Keff McCulloch with very ’80s hand clap samples for percussion backing his very ’80s synths. It was a nice enough sound for its time, but not one that has dated very well. In 1993, for the show’s 30th anniversary, the default selection became the BBC’s 30 Years At The Radiophonic Workshop, which I’d recommend with a different set of reservations: most of its tracks were pure sound effects. Very evocative ones, to be sure, the pride of the BBC’s sonic skunkworks at Maida Vale, but little of the 30th anniversary album was actually music.

We had to reach the show’s 50th anniversary to strike the right balance at last. The four-disc Doctor Who: The 50th Anniversary Collection is an unapologetic romp through the tunes accompanying the TARDIS’ travels from 1963 through 2013. If a single show’s sound has evolved more radically over time (without it being a variety show with an ever-changing selection of musical guests), I’d love to hear about it. In five decades, Doctor Who has gone from experimental-going-on-avant-garde analog electronic music, to small orchestral ensembles, to tuneful (and sometimes showy) ’80s synthesizers, and then to full-on orchestral grandeur. That journey is sampled at various points across four CDs here. (A limited edition of 1,000 copies of a more expansive – and, undoubtedly, expensive – 11-CD set will be available in early 2014; Silva has already fessed up that this 4-CD set is a sampling of that larger collection, without giving any indication as to whether the material will be available separately on individual CDs, iTunes, or what have you.)

For those who faithfully bought Silva Screen’s ’90s CD releases of Mark Ayres’ late ’80s scores and the label’s reissues of classic BBC albums, as well as the BBC’s own attempt to fill out the Doctor Who soundtrack library in the early 21st century, there will be a lot of familiar material here, sometimes only in briefly excerpted form. Ayres’ scores, and familiar material such as “March Of The Cybermen” and music from Tom Baker’s last season, can be found here as edited highlights, as can already-released ’60s and ’70s gems such as excerpts from the now-hard-to-find-on-CD-without-getting-a-second-mortgage CD featuring Tristram Cary’s music from the second-ever Doctor Who story, The Daleks. Ayres was the archivist responsible for picking out the best bits from the classic series, and his choices line up almost exactly what what I would have picked. (Note: almost. Leaving the music accompanying the Brigadier’s flashback out of a Mawdryn Undead suite is an unexpected choice, to say the least.)

But there are many surprises as well. The sheer amount of pristine, not-smothered-in-sound-effects Dudley Simpson music to be heard is impressive. For decades, short of Silva Screen’s singular experimental attempt in the 1990s to do a Simpson “cover album” with the best synthesizers and samples available at the time, almost none of Simpson’s music has been available, despite the fact that he remains the reigning champion among Doctor Who composers (having scored episodes from 1964 through 1979). Copies of Simpson’s music simply were not retained, for who knew that it would ever be in demand as a standalone product? But thanks to Simpson’s occasional collaborations with the BBC Radiophonic Workshop – a group which did a better job of archiving, and occasionally had to add synthesizer overdubs to Simpson’s more otherworldly cues – some selections of Simpson’s unique small-ensemble sound now survive. A few other Simpson specimens are culled from scenes in which the music was virtually the only sound in the mix (such as the music from the Patrick Troughton story The Seeds Of Death). This brings us such wonderful lost treats as the suite from 1977’s The Invasion Of Time, a selection of music which reminds me of Blake’s 7 as much as it does Doctor Who, and concludes with a great “slimy” synth motif for the Sontarans, a piece of music that screams “short, squat and ugly”. Other unearthed Simpson gems include music from The Android Invasion, the aforementioned Seeds Of Death, and the Pertwee space opera Frontier In Space. There are surprises from the small stable of other composers who scored the Doctor’s travels in the ’70s, including Carey Blyton’s stuttering stacatto saxophones from Death To The Daleks and his more traditional “Simpsonesque” strains from Revenge Of The Cybermen.

Another surprise heard here is a handful of stock library music pieces used during the 1960s, from the first piece of music ever heard within an episode of Doctor Who (on Susan’s portable radio, no less) to the familiar and oft-reused action cues that accompanied Cybermen and Yeti in equal measure. Many of these pieces have surfaced over the years, in such forms as the fan-compiled Space Adventures CD and short-lived one-off CDs timed to coincide with the releases of such things as The Tenth Planet and Tomb Of The Cybermen. But this is the first time than an officially sanctioned BBC release has declared these to be the Doctor Who music that the fans have always known them to be. The inclusion of a piece by Les Structures Sonores (used in the Hartnell four-parter Galaxy Four) is historically significant: when trying to describe the sound she wanted for Doctor Who’s still-unwritten theme tune, producer Verity Lambert fell back on the work of Les Structures Sonores as a suggested listen. (What actually emerged was wonderfully different from that suggestion, but however your tastes run regarding the show’s stories main theme, every major iteration is included here for your listening pleasure.)

The ’80s, the final decade of original Doctor Who, present a different problem: nearly everything survives from that era, so it becames a question of judiciously picking what to leave out. The major pieces that everyone would wish for are present, however: Tom Baker’s swan song from Logopolis, the thematic bookend of Peter Davison’s first trip in the TARDIS in Castrovalva, Earthshock‘s “March Of The Cybermen”, The Five Doctors, the percussive Sontaran march and the flamenco-style acoustic guitar work of The Two Doctors, edited highlights from three of the four stories making up The Trial Of A Time Lord, and the final moments of music from the original series in 1989’s memorable (and perfectly scored) Survival, which demonstrated that the show’s decade of synths was on the cusp of giving way to a more interesting mix of synth, guitar and live violin if the story demanded it.

Things then transform dramatically. For the first time outside of a 1990s “composer promo” release of questionable legality, selections from the Hollywood-spawned score of 1996’s Paul McGann TV movie come in from the cold on an official Doctor Who soundtrack compilation. Not much more than a taster, to be sure, and yes, the entire score’s been available as the music-only audio track on the DVD of that movie for about a decade now, but it’s nice to see this release taking in the entirety of the franchise’s musical history (with one major omission – more on this in a moment). From here, we jump to an extended best-of from Murray Gold’s reign as the sole musical voice of modern Doctor Who, covering everything from Rose’s theme through The Rings Of Akhaten. As much as some fans have only ever grown up with Murray Gold’s bombastic orchestral music as the sound of Doctor Who, it’s impressive that Silva Screen managed to constrain the new series highlights to a single disc.

But considering that, before the track listing was announced, I fully expected much of this set to be tilted in favor of the new series, the 50th Anniversary Collection is a pleasant surprise from start to finish. Fans weaned on the David Tennant years may be shocked to discover how much the “house style” of Doctor Who has changed, but those of us who grew up with Tom Baker or his predecessors will find much to love here. Yes, the first disc has a lot of sound effects on it, but they’re almost music in their own unique way – the sound of the living, breathing alien worlds found in Lime Grove Studio “D” so many years ago. And I never thought we’d get, on CD, such music as Don Harper’s sinister spy-movie-inspired strains from The Invasion, or the Dudley Simpson tracks that we have here.

I’m a little surprised to see that the two 1960s movies starring the late Peter Cushing as quirky but perfectly human inventor Dr. Who are not represented here. Silva released all of the available score material from both of those movies in their entirety some time back, so they have access to (and rights to) the recordings. I suppose they get excluded for not being part 4 out of 4
of the TV franchise, but if there was any concern that the ’60s-centric CD had too many sound effects, I wonder why these tracks weren’t considered for inclusion. With every passing year, Cushing’s brief tenure as the TARDIS traveler grows more obscure, so I suspect I’m alone in thinking there should have been some hint of the movies here.

The 50th Anniversary Collection is a dandy sampling of the Doctor’s ever-evolving musical accompaniment over the years.

Order this CDDisc One

  1. Doctor Who (Original Theme) (2:20)
  2. An Unearthly Child: Three Guitars Mood 2 (2:03)
  3. An Unearthly Child – TARDIS Takeoff (0:49)
  4. The Daleks (The Dead Planet): Forest Atmosphere (1:07)
  5. The Daleks (The Dead Planet): Forest With Creature (0:54)
  6. The Daleks (The Dead Planet): City Music 1 and 2 (0:56)
  7. The Daleks (The Dead Planet): The Daleks (0:32)
  8. The Daleks (The Survivors) – Dalek Control Room (0:34)
  9. The Daleks (The Ambush): The Ambush (2:00)
  10. The Daleks – Capsule Oscillation (Dalek Destructor Fuse / Bomb Countdown) (0:19)
  11. The Edge of Destruction – Explosion, TARDIS Stops (1:10)
  12. The Keys of Marinus – Sleeping Machine (0:52)
  13. The Chase – Dalek Spaceship Lands (0:17)
  14. The Chase – TARDIS Lands (0:11)
  15. Galaxy Four – Chumbley (Constant Run) (0:27)
  16. Galaxy Four – Chumbley at Rest (0:28)
  17. Galaxy Four: Marche (Les Structures Sonores) (2:40)
  18. The Daleks’ Master Plan (The Nightmare Begins): A Strange Sickness (0:44)
  19. The Daleks’ Master Plan (Destruction of Time): Growing Menace (2:08)
  20. The Gunfighters: Excerpts from ‘The Ballad of the Last Chance Saloon’ (3:51)
  21. The Tenth Planet: Space Adventure Part 2 (1:21)
  22. The Macra Terror – Heartbeat Chase (1:57)
  23. The Macra Terror – Chromophone Band (1:56)
  24. The Macra Terror – Propaganda Sleep Machine (1:08)
  25. The Tomb of the Cybermen – Sideral Universe (2:26)
  26. The Tomb of the Cybermen – Space Time Music Part 1 (1:21)
  27. The Web of Fear – Space Time Music Part 2 (1:19)
  28. Fury from the Deep – Mr. Oak and Mr. Quill (Incidental Music) (0:39)
  29. The Wheel in Space – Cyberman Stab & Music (1:32)
  30. The Wheel in Space – Birth of Cybermats (0:44)
  31. The Wheel in Space – Interior Rocket (Suspense Music) (1:55)
  32. The Dominators – Galaxy Atmosphere (1:04)
  33. The Mind Robber – Zoe’s Theme (1:20)
  34. The Invasion: The Dark Side of the Moon (0:31)
  35. The Invasion: The Company (1:31)
  36. The Krotons – Machine and City Theme (1:49)
  37. The Krotons – Kroton Theme (2:14)
  38. The Seeds of Death: Titles (0:35)
  39. The Seeds of Death: Ice Warriors Music (0:26)
  40. The War Games – Time Lord Court (1:32)
  41. Doctor Who (New Opening, 1967 – full version) (2:20)
  42. The Mind of Evil: The Master’s Theme (0:43)
  43. The Mind of Evil: Hypnosis Music (0:36)
  44. The Mind of Evil: Dover Castle (0:29)
  45. The Mind of Evil – Keller Machine Appears and Vanishes (0:22)
  46. The Mind of Evil: Keller Machine Theme (0:43)
  47. The Claws of Axos – Copy machine tickover (0:16)
  48. The Claws of Axos: The Axons Approach (1:45)
  49. Music from ‘The Sea Devils’ (5:24)
  50. Music from ‘The Mutants’ (7:12)
  51. Music from ‘Frontier in Space’ Episode 1 (1:46)
  52. Music from ‘Death to the Daleks’ (3:50)
  53. Planet of the Spiders – Metebelis III Atmosphere (1:53)

Disc Two

  1. Doctor Who Opening Title Theme (0:44)
  2. The Ark In Space – Nerva Beacon Infrastructure and TMat Couch (1:42)
  3. Music from “Revenge of the Cybermen” (5:28)
  4. Terror of the Zygons: The Destruction of Charlie Rig (0:42)
  5. Terror of the Zygons: A Landing in Scotland (1:22)
  6. Terror of the Zygons: The Zygons Attack (0:51)
  7. Music from “The Android Invasion” Episodes 3 and 4 (6:32)
  8. The Brain of Morbius – The Planet Karn (1:50)
  9. The Seeds of Doom: Antarctica – The First Pod (2:17)
  10. The Seeds of Doom: Get Dunbar! / Krynoid On The Loose (2:55)
  11. The Masque of Mandragora – The Mandragora Helix (1:26)
  12. Music from “The Invasion of Time” Episodes 3 and 4 (5:36)
  13. Doctor Who Closing Titles (40? Version) (1:15)
  14. Doctor Who 1980 (Opening Titles) (0:38)
  15. The Leisure Hive: Into Argolis (1:44)
  16. Full Circle: K9 on a Mission (0:35)
  17. The Keeper of Traken: Nyssa’s Theme (0:41)
  18. Logopolis: It’s The End… (3:18)
  19. Doctor Who 1980 (Closing Titles) (1:16)
  20. Castrovalva (3:18)
  21. Four to Doomsday: Exploring the Lab (1:46)
  22. Earthshock – March Of The Cybermen (5:13)
  23. Mawdryn Undead (4:19)
  24. The Five Doctors (5:29)
  25. Warriors of the Deep (3:53)
  26. Resurrection of the Daleks (5:01)
  27. The Caves of Androzani (Alternative Suite) (6:07)
  28. Doctor Who Theme (1980 – Full Version) (2:42)

Disc Three

  1. The Twin Dilemma (4:04)
  2. The Mark of the Rani (3:45)
  3. The Two Doctors (3:15)
  4. Timelash (5:51)
  5. Revelation of the Daleks (3:53)
  6. Doctor Who 1986 (2:53)
  7. The Trial of a Time Lord: The Mysterious Planet (3:21)
  8. The Trial of a Time Lord: Terror of the Vervoids (2:44)
  9. The Trial of a Time Lord: The Ultimate Foe (3:16)
  10. Doctor Who 1987 2:38()
  11. Music from ‘Time and the Rani’ (1:38)
  12. Delta and the Bannermen: “Here’s to the Future” (1:57)
  13. Music from ‘Dragonfire’ (3:02)
  14. Music from ‘Remembrance of the Daleks’ (5:32)
  15. Music from ‘The Greatest Show in the Galaxy’ (3:23)
  16. Music from ‘Battlefield’ (4:41)
  17. Music from ‘The Curse of Fenric’ (6:35)
  18. Music from ‘Survival’ (5:28)
  19. “…and somewhere else, the tea’s getting cold” (from ”Survival”) (0:24)
  20. Prologue: Skaro / “Doctor Who” Theme (1:34)
  21. “Who Am I?” (1:55)
  22. The Chase (Original Version) (2:20)
  23. “Open the Eye” (2:25)
  24. Farewell (1:35)
  25. End Credits / “Doctor Who” Theme (0:49)

Disc Four

  1. Doctor Who Theme – TV Version (0:42)
  2. Doctor Who: Series 1 – Rose’s Theme (2:15)
  3. Doctor Who: Series 2 – Doomsday (5:08)
  4. Doctor Who: Series 3 – All The Strange Strange Creatures (The Trailer Music) (4:07)
  5. Doctor Who: Series 3 – Martha’s Theme (3:42)
  6. Doctor Who: Series 3 – Boe (3:44)
  7. Doctor Who: Series 3 – The Doctor Forever (4:19)
  8. Doctor Who: Series 3 – This Is Gallifrey: Our Childhood, Our Home (3:18)
  9. Doctor Who: Series 3 – Donna’s Theme (3:16)
  10. Doctor Who: Series 4 – Song Of Freedom (2:51)
  11. Doctor Who: Series 4-The Specials – The Master Suite (4:33)
  12. Doctor Who: Series 4-The Specials – Four Knocks (3:58)
  13. Doctor Who: Series 4-The Specials – Vale Decem (3:20)
  14. Doctor Who: Series 5 – I Am The Doctor (4:03)
  15. Doctor Who: Series 5 – The Mad Man With A Box (2:09)
  16. Doctor Who: Series 5 – Amy’s Theme (2:08)
  17. Doctor Who: Series 6 – Melody Pond (4:43)
  18. Doctor Who: Series 6 – The Wedding Of River Song (2:36)
  19. Doctor Who: A Christmas Carol – Abigail’s Song (Silence Is All You Know) (5:33)
  20. Doctor Who: Series 7 – Towards The Asylum (2:25)
  21. Doctor Who: Series 7 – Together Or Not At All – The Song Of Amy And Rory (3:17)
  22. Doctor Who: Series 7 – Up The Shard (3:02)
  23. Doctor Who: Series 7 – The Long Song (3:39)

Released by: Silva Screen
Release date: 2013
Disc one total running time: 79:01
Disc two total running time: 78:40
Disc three total running time: 78:58
Disc four total running time: 78:48

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Categories
2002 D Doctor Who Soundtracks Television

Doctor Who, Volume 4: Meglos / Full Circle

3 min read

Order this CDAs the BBC’s excellent range of remastered Doctor Who music CDs reaches into the early 80s era of the show, sonic gems are being unearthed for the first time in years. If any proof be needed, check out the music from Full Circle, a 1980 story infamous in some fans’ eyes for introducing awkward youth Adric to the TARDIS crew. Paddy Kingsland’s memorable melodic score for Full Circle features a number of themes that beg – no, demand – to be hummed long after you’ve hit the stop button. Kingsland went on to score many other Doctor Who episodes, including the pivotal regeneration story Logopolis, but even though he has an instantly recognizable style, he seldom repeats actual material from story to story. (Kingsland’s trademark style was also a big part of the musical sound of The Hitchhiker’s Guide To The Galaxy.) Unusually, the other score featured on this disc was divided up between Kingsland and Peter Howell (who arranged the most enduring of the 1980s’ versions of the Doctor Who theme). Meglos was a bit of a muddled exercise as far as storytelling goes, but musically it takes an interesting approach, including the use of a vocoder to weave random syllables and occasionally even story-relevant “lyrics” into the music.

4 out of 4The disc’s material has been fully remastered and remixed into stereo by Mark Ayres, and the effort poured into archiving and preserving the music is outstanding. Simply to have the music from Full Circle on CD has been a dream of mine for years – almost since I first saw the show – and that alone makes this latest volume of the BBC’s Doctor Who music series a worthwhile purchase.

  1. Doctor Who: Opening Theme (0:38)
  2. Burnout On Walkway 9 (1:10)
  3. The Deons (1:29)
  4. K9 Repaired (0:16)
  5. The Screens Of Zolpha-Thura (3:09)
  6. The Last Zolpha-Thuran (3:31)
  7. Chronic Hysteresis (1:59)
  8. To Tigella (1:55)
  9. The Deon Oath (1:24)
  10. The Power Room (0:51)
  11. The Bell Plants (2:10)
  12. Meglos (1:31)
  13. “She’s Seen Too Much!” (1:40)
  14. The Dodecahedron (1:43)
  15. The Ultimate Impossibility (1:01)
  16. The Deons Take Command (2:31)
  17. Earthling (1:04)
  18. Sacrifice (4:09)
  19. Other Lives To Save (1:17)
  20. Countdown (4:14)
  21. Summons To Gallifrey (1:27)
  22. Alzarius / The Outlers (1:07)
  23. The System Files / Adric (1:15)
  24. Mistfall (4:15)
  25. The Starliner (0:47)
  26. Decider Deceased (0:35)
  27. Adric Finds The TARDIS (0:40)
  28. Starliner Sealed (0:54)
  29. The Giants Leave The Swamp (1:57)
  30. K9 On A Mission / Third Decider (1:23)
  31. TARDIS Taken (1:57)
  32. The Marsh Child / K9 Loses His Head (2:43)
  33. The Spiders I (1:26)
  34. The Spiders II (0:26)
  35. A Little Patience (1:14)
  36. Romana Comatose (0:49)
  37. The Bookroom (0:34)
  38. The Experiment (1:22)
  39. The Work Of Maintenance (0:50)
  40. Marshmen I (2:43)
  41. Blue Veins (2:01)
  42. Marshmen II (1:24)
  43. No Return (1:01)
  44. Oxygen (3:02)
  45. Full Circle / The Deciders Decide (2:29)
  46. Doctor Who: Closing Theme (1:18)

Released by: BBC Music
Release date: 2002
Total running time: 77:48

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