Namco Museum Volume 5 (“O”)
The Game: The Namco Museum is open for business one last time! Today’s exhibit features games of the late 1980s, and of course Pac-Man – being the prideful little single-celled organism that he is – simply must see all the displays. You wander the halls one last time, visiting some really cool themed rooms for each game, with the yellow one underfoot. Games included this time around are Metro-Cross, Pac-Mania, Dragon Spirit, The Legend of Valkyrie and Baraduke. (Namco, 1996)
Memories: For the final installment of their series of classic arcade emulations, Namco mined their late-80s games, concentrating on fighting and quest games primarily. The only relatively simple title included on Volume 5 (a.k.a. Volume O) is the final arcade appearance of Pac-Man in Pac-Mania, a very simple updating of the original Pac-Man set in a vaguely Zaxxon-esque three-quarter perspective. In a way, Pac-Mania is the direct predecessor of the 3-D “maze mode” of Namco’s recent retro revival Pac-Man World. [read more]
The Game: The seemingly endless battle between Mario and Bowser continues with the Koopa king’s latest kidnapping of the princess. A fierce battle ensues in Bowser’s castle, ending with what seems like a swift defeat for Bowser, when another combatant appears: a huge sword from the sky impales the castle, driving both Mario and Bowser out and preventing them from returning. Mario has to embark on an extended quest through the Mushroom Kingdom and other realms, gradually accumulating a band of locals to help him fight his way through the perils he meets along the way. He has to recover the seven pieces of the Star Road before he can resume his battle against the Smithy Gang bent on taking over his world. (Nintendo / Square, 1996)
And it doesn’t look or sound bad either – for quite a while, this was the gold standard for a game set in the Marioverse; even later attempts to drag Super Mario Bros. into 3-D rendered graphics on the N64 didn’t have the beauty and level of detail in Super Mario RPG. The music is hummable and drags you into the game’s world effectively, and only refers to the well-worn tunes from previous entries in the Super Mario franchise occasionally. So many Mario games had spent so much time making inside-joke references to the previous games in the series that Super Mario RPG was a novelty simply because of how much it didn’t do that.
nicely animated, and just plain pretty to look at. Even with the N64’s superior graphics hardware, it would be a long time before a Mario game came along to top this one.
or not it’s ever attained the shining-moment-of-greatness that Super Mario RPG was for so many years – when this game arrived on the Wii Virtual Console, it was a Big Deal to those who remembered it so fondly.
Super Mario RPG was a singular event in the development of the Super Mario franchise, offering a fresh take on the familiar characters and settings, while introducing an entire world’s worth of new places and characters. In many ways it’s still one of the high points.[read more]
The Game: All aboard! Now departing the Namco Museum aboard the spaceship Game Space Milaiya. Namco’s retrospective series literally takes off for its final ride on the Playstation with a collection of seven games, from the earliest days of Namco’s video game empire to more recent arcade titles. (Namco, 1997 – for Playstation)
The Game: In the era before Clu’s forceful takeover of the grid, Tron is kept busy with securing the digital world, leaving a vacuum from which a new champion can emerge in the grid games. Various factions have their own champions, who now battle each other on the game grid in various contests: light cycles, hyperball, disc battles, tank battles, and various vehicle races. (Disney Interactive, 2010)
The Game: Promising to take his time-traveling sidekick Amy Pond to London in 1963, the Doctor is shocked when the TARDIS actually gets there – and London, and the rest of Earth, is in ruins. The human race is extinct and the