Tower Of Doom
The Game: Abandon hope, all ye who enter the Tower of Doom. Armed and armored, adventurers enter seeking treasure, mystery and glory…but all that stands between them and those goals are dragons, monsters, bizarre traps that twist space and time, and, of course, twisty little passages (there are always twisty little passages). When a battle is lost in the catacombs, the player returns to his starting point for another attempt to plumb the depths, but eventually every player will run out of opportunities…or will have to grow powerful enough to conquer most of the Tower’s denizens. (INTV Inc., 1986)
Memories: Originally conceived as another entry in the Advanced Dungeons & Dragons video game franchise, Tower Of Doom seems terribly familiar to anyone who played Mattel’s original AD&D cartridge: the overhead maze crawl and the close-up battles go back to the original game’s basics, rather than trying to further develop Treasure Of Tarmin‘s first-person perspective and interface, which was considered a step forward for graphics but not for game play. [read more]
The Game: Darkness has fallen anew upon Britannia, and Lord British calls for your service again. You start out alone, accumulating traveling (and fighting) companions along your journey, striving to live by the Eight Virtues that govern conduct in the kingdom. Along the way, numerous creatures, both evil and simply pesky, challenge you. As you go forth on the quest, you must also collect the mantras of each Virtue, travel to the corresponding Shrines, and meditate there until you reach enlightenment. With enlightenment and experience come the strength to rid Britannia of evil – but, to quote a little pointy-eared green guy, beware the dark side… (Origin Systems, 1986)
The Game: Link wanders the kingdom of Hyrule, attempting to defeat the minions of the evil Ganon and trying to gather the weapons, tools, and items he will need to free the kingdom. Most vital on his quest is the recovery of all the pieces of the magical Triforce, the most powerful force that can be brought against Ganon. But as each piece is recovered and each part of the quest is completed, the next leg of the journey is even more difficult. (Nintendo, 1987)
The Game: Darkness has fallen upon the land of Britannia. Lord Blackthorn, with the help and manipulation of the evil Shadowlords, has taken over, banishing Lord British from his own kingdom and ruling over the world with an iron first. Having settled into a little house in the woods after your ascension to Avatar, you are called upon once more to set things right. An underground resistance movement is quietly biding its time, waiting for Lord British to return, and hailing you and your friends as its heroes. But there are also many who have fallen in line behind Blackthorn and his dark masters – and would be happy to dispose of the Avatar for him. (Origin Systems, 1988)
The Game: Darkness has fallen anew upon Britannia, and Lord British calls for your service again. You start out alone, accumulating traveling (and fighting) companions along your journey, striving to live by the Eight Virtues that govern conduct in the kingdom. Along the way, numerous creatures, both evil and simply pesky, challenge you. As you go forth on the quest, you must also collect the mantras of each Virtue, travel to the corresponding Shrines, and meditate there until you reach enlightenment. With enlightenment and experience come the strength to rid Britannia of evil – but beware the dark side… (Sega / Origin Systems, 1989)
The Game: Darkness has fallen anew upon Britannia, and Lord British calls for your service again. You start out alone, accumulating traveling (and fighting) companions along your journey, striving to live by the Eight Virtues that govern conduct in the kingdom. Along the way, numerous creatures, both evil and simply pesky, challenge you. As you go forth on the quest, you must also collect the mantras of each Virtue, travel to the corresponding Shrines, and meditate there until you reach enlightenment. With enlightenment and experience come the strength to rid Britannia of evil – but, to quote a little pointy-eared green guy, beware the dark side… (FCI / Pony Canyon, 1990)
The Game: The seemingly endless battle between Mario and Bowser continues with the Koopa king’s latest kidnapping of the princess. A fierce battle ensues in Bowser’s castle, ending with what seems like a swift defeat for Bowser, when another combatant appears: a huge sword from the sky impales the castle, driving both Mario and Bowser out and preventing them from returning. Mario has to embark on an extended quest through the Mushroom Kingdom and other realms, gradually accumulating a band of locals to help him fight his way through the perils he meets along the way. He has to recover the seven pieces of the Star Road before he can resume his battle against the Smithy Gang bent on taking over his world. (Nintendo / Square, 1996)
And it doesn’t look or sound bad either – for quite a while, this was the gold standard for a game set in the Marioverse; even later attempts to drag Super Mario Bros. into 3-D rendered graphics on the N64 didn’t have the beauty and level of detail in Super Mario RPG. The music is hummable and drags you into the game’s world effectively, and only refers to the well-worn tunes from previous entries in the Super Mario franchise occasionally. So many Mario games had spent so much time making inside-joke references to the previous games in the series that Super Mario RPG was a novelty simply because of how much it didn’t do that.
nicely animated, and just plain pretty to look at. Even with the N64’s superior graphics hardware, it would be a long time before a Mario game came along to top this one.
or not it’s ever attained the shining-moment-of-greatness that Super Mario RPG was for so many years – when this game arrived on the Wii Virtual Console, it was a Big Deal to those who remembered it so fondly.
Super Mario RPG was a singular event in the development of the Super Mario franchise, offering a fresh take on the familiar characters and settings, while introducing an entire world’s worth of new places and characters. In many ways it’s still one of the high points.[read more]
The Game: In the year 2199, Earth is beseiged by radioactive planet bombs launched by the Gamilons. When two junior officers happen upon alien wreckage on Mars, including a message intended for Earth with details of new propulsion and weapon systems, and the promise of a device which could restore Earth to its former beauty, the wheel is set in motion for mankind’s final desperate gambit for survival. The WWII battleship Yamato is repaired and made spaceworthy with the new technology, and Captain Okita hand-picks a dedicated young crew to fly the ship to the planet Iscandar – the source of the message – and back. That’s where you step in for Okita – using a rotating ring of character heads, you can give characters such as Susumu Kodai, Yuki Mori and Daisuke Shima their orders, get their advice, and engage in combat with the Gamilons in space and on the surfaces of various planets. (Bandai, 2000)
The Game: Darkness has fallen anew upon Sosaria, and Lord British calls for your service again. You set out with four adventurers on a quest to gain the experience that will be necessary to survive the long voyage to a volcanic island where the source of all the evil plaguing the world is said to be. (Sven Carlberg, 2002)