Pac-Man
The Game: As a round yellow creature consisting of a mouth and nothing else, you maneuver around a relatively simple maze, gobbling small yellow dots and evading four monsters who can eat you on contact. In four corners of 
the screen, red power pellets enable you to turn the tables and eat the monsters for a brief period for an escalating score. The monsters, once eaten, return to their home base in ghost form and return to chase you anew. If cleared of dots, the maze refills and the game starts again, but just a little bit faster… (Coleco, 1981)
Memories: When Atari’s VCS translation of the immensely popular Pac-Man debuted to almost universal scorn, Coleco’s marketing division must have cheered. The market was primed for a good game of Pac-Man, and with the first in its line of licensed “mini-arcades,” Coleco had just the ticket every kid was looking for. [read more]
The Game: An oversized gorilla kidnaps Mario’s girlfriend and hauls her up to the top of a building which is presumably under construction. You are Mario, dodging Donkey Kong’s never-ending hail of rolling barrels and “foxfires” in your attempt to climb to the top of the building and topple Donkey Kong. You can actually do this a number of times, and then the game begins again with the aforementioned girlfriend in captivity once more. (Coleco, 1982)
The Game: You are a frog. Your task is simple: hop across a busy highway, dodging cars and trucks, until you get the to the edge of a river, where you must keep yourself from drowning by crossing safely to your grotto at the top of the screen by leaping across the backs of turtles and logs. But watch out for snakes and alligators! (Coleco, 1982)
The Game: Baseball returns to the small screen – the very small screen – on the Game Boy. Step up to the plate and take a swing; after three outs, take control of the pitcher, basemen and outfield, trying to keep the computer from scoring a run. (Nintendo, 1989)
The Game: As intrepid plumber (and explorer) Mario, players have to jump through new environments and enemies to help Mario rescue Daisy. Egyptian pyramids guarded by fire-breathing Sphinxes, seaside platforms invaded by space aliens, and the usual Goombas and Koopas await Mario as he tries to reach the end of each level. As always, there are mushrooms, stars and fire flowers to help Mario power up, and helpful hidden chambers full of coins. (Nintendo, 1989)
The Game: Cavernous rooms are loaded with gold, just ripe for the picking. But before you celebrate hitting the mother lode, look again – there are other gold-diggers homing in on the treasure. What do you have that they don’t? A drill gun that can blast a hole in the floors, into which your opponents will jump blindly. Eventually, the holes will reseal themselves, and that process will swallow your enemies (and you, if you happen to be clumsy enough to wander into the hole yourself). Grabbing all of the gold will reveal a passage to the next level of the game. (Bandai, 1989)
The Game: You’re in charge of a getaway car loaded with crafty criminals. Your job is to sneak around the maze, avoid a bunch of cranky cops who are hot on your trail, and grab all the dough – and, of course, to escape so you can steal again another day. But the cops can trap you with a series of doors that can prevent you from getting away… (Data East, 1990)
The Game: You are a marker, trying to claim as much of the playing field as you can by enclosing areas of it. Drawing your boundaries faster is safer, but yields fewer points. A slower draw, which leaves you vulnerable to attack from the Qix and the Sparx, gives you many more points upon the completion of an enclosed area. If the ever-shifting Qix touches your marker or an uncompleted boundary you are drawing, you lose a “life” and start again. And the Sparx, which travel only along the edges of the playing field and along the boundaries of areas of the screen you’ve already enclosed, can destroy you by touching your marker. And if you linger too long, a fuse will begin burning at the beginning of your unfinished boundary, and will eventually catch up with you. (Nintendo/Taito, 1990)
The Game: As a daring spy, you break into a top secret enemy facility, trying to grab vital secrets and evade or kill as many enemy agents as you can. Your only means of getting from floor to floor through most of the game is via the elevator – which gives you an advantage and also makes you vulnerable. (Taito, 1991)
The Game: You are Dig Dug, an intrepid gardener whose soil is infested with pesky Pookas and fire-breathing Fygars. You’re armed with your trusty pump, which you can use to inflate your enemies until, finally, they blow up. But both the Pookas and Fygars can crawl through the ground and can pop out into your tunnels, and if a Fygar sneaks up behind you, he can toast you if you’re not careful. In New Dig Dug, you guide Dig on a series of subterranean adventures, trying to unlock buried doors by finding some equally buried keys. Pookas and Fygars still stalk the underground tunnels in the new game, only each one that Dig dispatches is replaced by a new Pooka or Fygar from above. (Namco, 1992)