Front Line
The Game: In a very genteel and almost inappropriately cute game about armored combat, you’re a lone footsoldier fighting your way through a platoon of enemy troops, trying to take out as many of them as you can until you find your way to a handy empty tank. (Nice of the enemy to allow your government to plant friendly tanks behind their borders, isn’t it?) But once you man your own tank, enemy tanks surround you. If one of them hits your tank, you have mere seconds to bail out before your tank blows, and you have to dodge cannon fire until you can find another friendly tank to commandeer. Finally, after crossing hazardous stretches of desert and fighting off entire battallions of enemy tanks, you’re en route to the final confrontation, a showdown with the enemy’s armored headquarters… (Taito, 1982)
Memories: Front Line was a really fun and addictive game to play, and was always one of my favorites. I didn’t ever give a thought, at the time, that this game really keeps the player’s vision of warfare from delving into the bloody or the unpleasant, and all the characters – even those octagonal, roly-poly little tanks – are really cute. [read more]
The Game: Players control the Jolly Jogger as he attempts to draw borders around every square area on the playing field. There are several special squares which temporarily give Jolly Jogger the ability to freeze his pursuers for a while; at all other times, they are to be avoided at all costs. Running around every square on the screen clears that level and introduces a new maze of squares where the process begins anew. A lit fuse counts down the time available to Jolly Jogger to complete each screen; if time runs out, a life is lost. (Taito, 1982)
The Game: You are the king of the jungle! Swinging from vine to vine! Swimming through crocodile-infested waters! Jumping and ducking huge rolling boulders! And vanquishing spear-weilding natives to rescue the damsel! (Taito, 1982)
The Game: As the clownlike elfin dweller of a magic garden, you must avoid or do away with a bunch of nasty critters who are after you, while gobbling up as much yummy fruit as you can. (Taito [under license from Universal], 1982)
The Game: You are the king of the jung…uh, pirate ship! Swinging from rope to rope! Swimming through shark-infested waters! Jumping and ducking huge rolling boulders! And vanquishing knive-weilding pirates (wait, aren’t they supposed to be on your side if you’re a pirate too?) to rescue the damsel! (Taito, 1982)
The Game: Super Mouse is on the case. He’s trying to grab all the food from every level of the screen. While he’s on the case, cats are on the chase, trying to catch Super Mouse. Two blocks of cheese on the top levels of the screen can be dropped on top of the cats, or the cats can be tricked into chasing Super Mouse over a trap door that’ll dump them in a water tank. But the cats don’t stay gone for long. Super Mouse advances to a new level when he takes every piece of food back to his secret hideout. (Taito, 1982)
The Game: As the conductor of a time-traveling train, you must find and collect your passenger cars in the present day, move on to the near future to pull up to several stations and fill those cars with time travelers, and then deposit them at various attractions in the distant future. That would be difficult enough to do without running out of fuel, but you also have to contend with space creatures and repeatedly avoid collisions with a competing train by controlling the switches on the tracks. (1982, Taito)
The Game: The future! A dystopia of fast driving! Players are behind the wheel of a multi-terrain vehicle that can switch from fast handling on solid surfaces to amphibious speedboat in the blink of an eye. The currency of this violent future is fuel for this vehicle, and enemies in similar vehicles and in airborne vehicles will stop at nothing to claim fuel for themselves, regardless of the player’s safety. Grey highways and rivers are the usual modes of travel, though brown highways offer faster travel. Checkpoints must be reached in the correct order to rack up bonus points (players who arrive at the wrong checkpoint will be greeted with a checkerboard pattern instead of a number), but all checkpoints, even the wrong ones, grant players extra fuel. Surface enemies can be rammed out of the way, but there’s no honor lost in surviving by throwing the vehicle into reverse gear. Whoever survives the longest and scores the highest is crowned the Supreme King of the World. (Taito America, 1982)
The Game: Love in an elevator, it’s not. As a daring spy, you break into a top secret enemy facility, trying to grab vital secrets and evade or kill as many enemy agents as you can. Your only means of getting from floor to floor through most of the game is via the elevator – which gives you an advantage and also makes you vulnerable. (Taito, 1983)