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K.C. Munchkin!
The Game: As a small blue spherical creature whose sole sensory organs consist of two eyes, two antennae and an enormous mouth, you are on a mission to eat twelve dots which are floating around a small maze. Pursuing you are three multicolored jellyfish-like horrors who will gobble you up on contact. (North American Philips, 1981)
Memories: K.C. Munchkin!, for its similarities to Pac-Man, actually got Magnavox sued…by Atari! Huh? Follow me: Bally/Midway were, at the time, the U.S. copyright holders of the concept and code for the arcade Pac-Man…should they not have filed that suit rather than Atari, which was still fuming over the richly-deserved flood of negative reviews for its horrible Atari 2600 Pac-Man adaptation? [read more]
The Game: As a small blue spherical creature whose sole sensory organs consist of two eyes, two antennae and an enormous mouth, your mission – should you choose to accept it – is to start munching on the segmented body of the dreaded Dratapillar while avoiding its always-lethal head. When you consume one of its body segments, the Dratapillar’s two henchbeings – known only as Drats – turn white with fright and you can send them a-spinning (normally, they’re deadly to touch too). Eating all of the Dratapillar segments gets you to the next level, and the mayhem begins anew. (North American Philips, 1982)
The Game: Cavernous rooms are loaded with gold, just ripe for the picking. But before you celebrate hitting the mother lode, look again – there are other gold-diggers homing in on the treasure. What do you have that they don’t? A drill gun that can blast a hole in the floors, into which your opponents will jump blindly. Eventually, the holes will reseal themselves, and that process will swallow your enemies (and you, if you happen to be clumsy enough to wander into the hole yourself). Grabbing all of the gold will reveal a passage to the next level of the game. (Broderbund, 1983)
The Game: Would-be digital dungeon masters can reshape the world of the most powerful Apple II adventure game of its era – Exodus: Ultima III – in their own image, from changing the coastlines of Sosaria to changing the behavior of its inhabitants. Cities and townes can be completely redrawn, and the deadliest denizens of the world can be unleashed anywhere. (Dan Gartung, 1984)
The Game: Digital dungeon masters never had it so good. From the design of tiles and characters to the basic rules governing the player’s interactions with his world, it’s all up for grabs. Items can be placed, their abilities defined, and enemies can be generated. Let the games begin…but is it more fun to create them or play them? (Electronic Arts, 1985)
The Game: You decide what the game’s going to be. From creating your own characters, animating them, building their world (and the physical rules that govern it) and setting up the conflicts and limits, you have a powerful game-making tool at your disposal. Use it wisely, make something fun, and learn a little bit about how video games are conceived and programmed. (Activision, 1985)