War Of Nerves!
The Game: You’re the commander of a small squad of robots, and your opponent – be it a second player or the computer – is commanding a similar platoon o’ droids. Your job is to avoid the enemy’s robots while you wait for your robots to reach the enemy commander. Of course, the enemy’s robots could reach you first, but that’s another story. The only control you have over your robots is to press the action button and call them toward you. The robots fight hand-to-hand, rather than shooting, and your robots may become incapacitated. You can leap into the fray and touch one of your malfunctioning robots to repair it and return it to the fight, but in so doing, you run a risk of being captured by enemy robots. (Magnavox, 1979)
Memories: This is a game about the Arnold Rimmer vision of combat.
In the Marooned episode of Red Dwarf, Rimmer says “Generals don’t smash chairs over people’s heads. They don’t smash Newcastle Brown bottles into your face and say ‘Stitch that, Jimmy.’ They’re in the nice white tent, on the top of the hill, sipping Sancerre and directing the battle. They’re men of honor!” Which is pretty much your function in this game. [read more]
The Game: Players start with a blank slate of a land mass, a budget, and their hopes and dreams. The building of a city begins (usually with a power plant of some kind), a delicate attempt to balance residential, commercial, and industrial space, transportation systems, demands from the public, and tax rates. The city will flourish, stagnate, or empty out and completely fail depending upon the player’s mayoral choices. (Nintendo/Maxis, 1991)
The Game: Players assume the role of Susumu Kodai, a hot-headed young recruit unexpectedly thrust into a leadership role on a mission to cross the galaxy and procure a device that can restore planet Earth’s war-decimated ecosphere within a year. As if crossing the Milky Way and returning within a year wasn’t enough of a formidable task, the Space Battleship Yamato faces stiff opposition from an alien race, the Gamilas, determined to seal Earth’s fate by bringing the last-ditch rescue mission to a halt. Kodai and the Yamato’s ailing commander, Admiral Okita, must decide where to commit their forces for maximum effect. Large squarons of Cosmo Fighters can be dispatched to take the Gamilas on head-to-head on the on-screen grid, but Yamato herself can also be ordered into the thick of the action (a strategy that puts the entire mission in jeopardy if the battle is lost). Success means fighting through the Gamilas’ offensive front and reaching planet Iskandar. Failure means death for all humankind. Pick your battles wisely. (Interbec, 1992)
The Game: Three Houses – Atreides, Harkonnen and Ordos – converge on the planet Dune, intending to consolidate their power and eliminate one another from the business of mining the spice melange from the planet’s sandy surface. Players pick a House and then take command of both the mining and military efforts, directing and managing each, and facing stiff opposition from the other Houses. As long as spice is being extracted from Dune, the player can summon or build whatever resources are needed to continue the mission and crush the opposing forces. The only path to victory is the destruction of the other Houses and complete control of the planet. (1993, Westwood Studios / Virgin Interactive)
